Full Description
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Today, Morocco's hip hop artists are vital to their country's reputation as diverse, creative, and modern. But in the 1990s and 2000s, teenage amateurs shaped their craft and ideals together as the profound socioeconomic changes of neoliberalization swept through their neighborhoods. Values That Pay traces Moroccan hip hop's trajectory from sidewalk cyphers and bedroom studios to royal commendations and international festivals. Kendra Salois draws from more than ten years of research into her interlocutors' music and moral reasoning to explore the constitutive tensions of institutionalization, hip hop aesthetics, and neoliberal life. Entrepreneurial artists respond to their unavoidable complicity with an extractive state through aesthetic and interpersonal sincerity, educating their fans on the risks and responsibilities of contemporary citizenship. Salois argues that over the past forty years, Moroccan hip hop practitioners have transformed not only themselves but also what it means to be an ethical citizen in a deeply unequal nation.
Contents
Contents
List of Illustrations
Note on Transliteration and Translation
Acknowledgments
Introduction: The Wave
1. Critical Traditions: The Poetics and Politics of Ambiguity
2. A Moral Institution: Forming and Performing Hip Hop in the 2000s
3. The Ethics and Aesthetics of Competitions
4. Embodying the Urban Poor
5. Expectations of Feminism
Epilogue: The World the Wave Made, or The Sincerity of Capital
Notes
References
Index
