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基本説明
Acting: The First Six Lessons was first published in 1933 and remains a key text for anyone studying acting today. These dramatic dialogues between teacher and idealistic student explore the field of acting according to one of the original teachers of Stanislavsky's System in America.
Full Description
Acting: The First Six Lessons was first published in 1933 and remains a key text for anyone studying acting today. These dramatic dialogues between teacher and idealistic student explore the field of acting according to one of the original teachers of Stanislavsky's System in America.
This new edition of an essential text is edited by Rhonda Blair and supplemented for the very first time with documents from the American Laboratory Theatre. These collect together a broad range of exciting unpublished material, drawn from Boleslavsky's pivotal and unprecedented teachings on acting at the American Laboratory Theatre. Included are:
"The Creative Theatre Lectures" by Richard Boleslavsky
Boleslavsky's "Lectures from the American Laboratory Theatre"
"Acting with Maria Ouspenskaya," four short essays on the work of Ouspenskaya, Boleslavsky's colleague and fellow actor trainer
A new critical introduction and bibliography by the Editor.
Contents
Acting: The First Six Lessons, Richard Boleslavsky; Part 1 The First Lesson; Part 2 The Second Lesson; Part 3 The Third Lesson; Part 4 The Fourth Lesson; Part 5 The Fifth Lesson; Part 6 The Sixth Lesson; Part 7 The "Creative Theatre" Lectures; Part 8 What is the Theatre?; Part 9 What is a Play?; Part 10 What is the Audience?; Part 11 What is an Actor?; Part 12 What is a Theatrical Designer?; Part 13 What is a Theatrical Composer?; Part 14 What is a Collective Work in a Theatre?; Part 15 What is a Theatrical Performance?; Part 16 What is a Mechanical Performance?; Part 17 What is a Creative Theatrical Performance?; Part 18 The Qualifications of a Creative Actor; Part 19 What is the Meaning of "Living the Part ?"; Part 20 What is "Spiritual Concentration?"; Part 21 What is the Spiritual or Affective Memory?; Part 22 How to Use the Affective Memory in Preparing a Part; Part 23 Boleslavsky Lectures from theAmerican Laboratory Theatre; Part 24 Lecture 3; Part 25 Lecture 5; Part 26 Lesson 6; Part 27 Lecture 7; Part 28 Lesson 8; Part 29 Lesson 9; Part 30 Lecture 10; Part 31 Lecture 11; Part 32 Notes on Acting with Maria Ouspenskaya; Part 33 October 1954; Part 34 November 1954; Part 35 December 1954; Part 36 January 1955;