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Full Description
A2 Film Studiesto tackle every part of the WJEC A2 Level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition has been re-designed and re-written to follow the new WJEC A2 syllabus for 2009 teaching onwards and is supported by a companion website at www.alevelfilmstudies.co.uk offering further advice and activities.There is a chapter for each exam topic including:The small scale research projectThe creative projectAspects of a national cinema - Bollywood; Iranian; Japanese; and MexicanInternational Film Styles - German and/or Soviet; Surrealism; Neo-Realism; and New WavesSpecialist studies - Urban Stories; and Empowering WomenSpectatorship topics - Early cinema before 1917; Documentary; Experimental and expanded film/video; and Popular film and emotional responsesThe single film critical study - every film coveredSpecifically designed to be user friendly, the second edition of A2 Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than sixty colour images and is packed with features such as:case studies relevant to the 2009 specificationactivities on films like All About My Mother, 10, Vertigo and City of Godkey termsexample exam questions suggestions for further reading and website resources.Matched to the current WJEC specification, A2 Film Studies: The Essential Introduction covers everything students need to study as part of the course.
Contents
Introduction Part 1Introduction to FM3 The Small Scale Research Project Practical Application of Learning Part 2: FM4: Varieties of Film Experience -- Issues and Debates -- Section A: World Cinema Introduction to FM4 Aspects of a National Cinema: Bollywood 1990-present Aspects of a National Cinema: Iranian Cinema 1990-present Aspects of a National Cinema: Japanese cinema 1950-1970 Aspects of a National Cinema: Mexican cinema 1990-present International Film Styles: German and/or Soviet Cinema of the 1920s International Film Styles: Surrealism International Film Styles: Neo-Realism International Film Styles: New Waves Specialist Study 1: Urban Stories -- Power, Poverty and Conflict Specialist Study 2: Empowering Women Part 3: FM4 Varieties of Film Experience- Issues and Debates-Section B: Spectatorship Topics Spectatorship and Early Cinema before 1917 Spectatorship and Documentary Spectatorship: Experimental and Expanded Film/Video Spectatorship: Popular Film and Emotional Response Part 4: FM4 Varieties of Film Experience- Issues and Debates-Section C: Single Film-Critical Study Introduction to Single Film Critical Studies Modern Times (Chaplin, US, 1936) Les Enfants du Paradis (Carne, France, 1945) Vertigo (Hitchcock, US, 1958) The Battle of Algiers (Pontecorvo, Algeria/Italy, 1966) Sweet Sweetback's Baadasssss (Van Peebles, US, 1971) Solaris (Tarkovsky, USSR, 1972) Happy Together (Wong Kar Wai, Hong Kong, 1997) Fight Club (Fincher, US, 1999) Talk to Her (Almodovar, Spain, 2002) Morvern Callar (Ramsey, UK, 2002)