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基本説明
Looks at: the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each.
Full Description
Often labelled as 'indescribable', the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: * the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity * the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each * the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era * how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Contents
Introduction 1. Before (and After) Longinus 2. Sublimity in the Eighteenth Century 3. Burke: A Philosophical Enquiry 4. Kant: The Analytic of the Sublime 5. The Romantic Sublime 6. The Sublime is Now: Derrida and Lyotard 7. From the Sublime to the Ridiculous: Lacan and Zizek Afterword Glossary Bibliography
