スペイン映画<br>Spanish National Cinema (National Cinemas)

スペイン映画
Spanish National Cinema (National Cinemas)

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  • 製本 Hardcover:ハードカバー版/ページ数 224 p.
  • 言語 ENG,ENG
  • 商品コード 9780415220590
  • DDC分類 791.430946

Full Description


This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodovar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on the key issues of each epoch, this volume illuminates the complex and changing relationship between cinema and Spanish national identity.

Table of Contents

        List of illustrations                      ix
Acknowledgements xi
Introduction 1 (13)
A Spanish national director? 1 (1)
Nations and nationalism 2 (2)
Spanish nationalism 4 (2)
The nation and its cinema 6 (3)
Popular cinema and art cinema 9 (2)
Methods 11 (1)
Other national cinemas 12 (1)
Glossary and filmography 13 (1)
Cinema in Spain from 1896 to 1939 14 (24)
The rebirth of a nation? 14 (10)
Spain seen by Spanish people 24 (4)
The 'natural' audience of Spanish cinema 28 (3)
Propagating Spanishness at war (1936--9)? 31 (7)
A constant concern for the popular classes, 38 (32)
1939--62
Hispanidad in the national cinema 38 (6)
Spanishness under siege 44 (7)
`Very big things to be on a par with 51 (3)
foreigners'
Loci of debates: films of national 54 (8)
interest
Folkloric inclusions and exclusions 62 (3)
Garcia Escudero's judgements of taste 65 (5)
For and against Franco's Spain, 1962--82 70 (38)
Chicos de Garcia Escudero vs. Chicas de 70 (14)
la Cruz Roja
Continuity and the desire for change: 84 (11)
Marisol in the 1960s
What censorship created 95 (13)
How to `reconquer' signs of identity, 108(35)
1982--9
Towards a dignified cinema for the nation 108(3)
A new locus of debate: La ley Miro 111(9)
The other 1980s 120(12)
Comedy and nationalism: the fluctuating 132(11)
fortunes of Pedro Almodovar as national
filmmaker of the 1980s
Spanish cinema of the 1990s onwards: 143(21)
looking north but heading west
The discourse on diversity 143(8)
New vulgarities: just when you thought 151(4)
that Spanish cinema was getting better .
. .
Cine Social in the late 1990s and beyond 155(3)
Alex de la Iglesia 158(4)
The Others (Alejandro Amenabar, 2001) 162(2)
Notes 164(13)
Glossary 177(5)
Bibliography 182(11)
Filmography 193(9)
Index 202