It is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
IntroductionWomen's Part: Body Politics and Twelfth Night 2. The Castrator's Song: Female Impersonation on the Early Modern Stage 3. 'Othello was a White Man': Properties of Race on Shakespeare's Stage 4. Irish Memories in The Tempest 5. What is an Audience? Bibliography Index