ノートン版 文学理論・批評アンソロジー（第２版） The Norton Anthology of Theory and Criticism (Norton Anthology) （2ND）

ノートン版　文学理論・批評アンソロジー（第２版）<br>The Norton Anthology of Theory and Criticism (Norton Anthology) （2ND）

ノートン版　文学理論・批評アンソロジー（第２版）
The Norton Anthology of Theory and Criticism (Norton Anthology) （2ND）

Cain, William E. (EDT)/ Finke, Laurie A. (EDT)/ Johnson, Barbara E. (E

W W Norton & Co Inc（2010/01発売）

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製本 Hardcover:ハードカバー版／ページ数 2758 p.
言語 ENG
商品コード 9780393932928
DDC分類 801.95

Full Description

The Norton Anthology of Theory and Criticism is the gold standard for anyone who wishes to understand the development and current state of literary theory. Offering 185 pieces (31 of them new) by 148 authors (18 of them new), The Norton Anthology of Theory and Criticism, Second Edition, is more comprehensive, and more varied, in its selection than any other anthology. New selections from non-western theory and a thoroughly updated twentieth century selection make the book even more diverse and authoritative.

INTRODUCTION TO THEORY AND CRITICISM1. From Encomium of HelenPLATO (ca. 427-ca. 347 B.C.E.)1. Republic2.1. From Book II2. From Book III3. From Book VII4. From Book X3. From PhaedrusARISTOTLE (384-322 B.C.E.)1. Poetics2. On Rhetoric3.1. Book I2.1. From Chapter 22. From Chapter 33. Book II4.1. From Chapter 15. Book III6.1. From Chapter 2HORACE (65-8 B.C.E.)1. Ars PoeticaLONGINUS (first century C.E.)1. From On Sublimity1. On Christian Teaching2.1. From Book One2. From Book Two3. From Book ThreeMOSES MAIMONIDES (1135-1204)1. The Guide of the Perplexed2.1. [Introduction to the First Part]THOMAS AQUINAS (1225-1274)1. Summa Theologica2.1. From Question IDANTE ALIGHIERI (1265-1321)1. Il Convivio2.1. Book Two2.1. Chapter 13. From The Letter to Can GrandeGIOVANNI BOCCACCIO (1313-1375)1. Genealogy of the Gentile Gods2.1. Book 142.1. V. Other Cavillers at the Poets and Their Imputations2. VII. The Definition of Poetry, Its Origin, and Function3. XII. The Obscurity of Poetry Is Not Just Cause For CondemningIt1. *From Christine's Reaction to Jean de Montrueil's Treatise onthe Roman de la Rose2. The Book of the City of Ladies3.1. From Part One2. From Part Two1. The Defense and Enrichment of the French Language2.1. First Book2.1. Chapters 1-73. Second Book4.1. Chapters 3-4GIACOPO MAZZONI (1548-1598)1. On the Defense of the Comedy of Dante2.1. From Introduction and SummarySIR PHILIP SIDNEY (1554-1586)1. From The Defence of PoesyPIERRE CORNEILLE (1606-1684)1. Of the Three Unities of Action, Time, and PlaceJOHN DRYDEN (1631-1700)1. From An Essay of Dramatic PoesyAPHRA BEHN (1640-1689)1. The Dutch Lover2.1. Epistle to the Reader3. Preface to The Lucky ChanceGIAMBATTISTA VICO (1668-1744)1. From New ScienceJOSEPH ADDISON (1672-1719)1. The Spectator, No. 622.1. [True and False Wit]3. The Spectator, No. 4124.1. [On the Sublime]ALEXANDER POPE (1688-1744)1. From An Essay on CriticismSAMUEL JOHNSON (1709-1784)1. The Rambler, No. 42.1. [On Fiction]3. The History of Rasselas, Prince of Abyssinia4.1. Chapter X. Imlac's History Continued. A Dissertation uponPoetry5. From Preface to Shakespeare6. Lives of the English Poets7.1. From Cowley2.1. [On Metaphysical Wit]DAVID HUME (1711-1776)1. Of the Standard of TasteIMMANUEL KANT (1724-1804)1. Critique of the Power of Judgment2.1. From Introduction2. From First Book. Analytic of the Beautiful3. From Second Book. Analytic of the SublimeEDMUND BURKE (1729-1797)1. A Philosophical Enquiry into the Origin of Our Ideas of theSublime and Beautiful2.1. From Part I. Sections I-VIII.2. From Part III. Section XXVII.GOTTHOLD EPHRAIM LESSING (1729-1781)1. From LaocooenFRIEDRICH VON SCHILLER (1759-1805)1. On the Aesthetic Education of Man2.1. Second Letter2. Sixth Letter3. Ninth LetterMARY WOLLSTONECRAFT (1759-1797)1. A Vindication of the Rights of Woman2.1. From Chapter II. The Prevailing Opinion of a Sexual CharacterDiscussed1. From Essay on Fictions2. On Literature Considered in Its Relationship to SocialInstitutions3.1. On Women Writers (2.4)FRIEDRICH SCHLEIERMACHER (1768-1834)1. Hermeneutics2.1. Outline of the 1819 Lectures2. Introduction3. Part Two. The Technical InterpretationGEORG WILHELM FRIEDRICH HEGEL (1770-1831)1. Phenomenology of Spirit2.1. [The Master-Slave Dialectic]3. Lectures on Fine Art4.1. From IntroductionWILLIAM WORDSWORTH (1770-1850)1. Preface to Lyrical Ballads, with Pastoral and Other Poems(1802)SAMUEL TAYLOR COLERIDGE (1772-1834)1. Biographia Literaria2. Part I3.1. From Chapter 12. From Chapter 43. From Chapter 134. Part II5.1. Chapter 14PERCY BYSSHE SHELLEY (1792-1822)1. From A Defence of PoetryRALPH WALDO EMERSON (1803-1882)1. From The American Scholar2. The PoetEDGAR ALLAN POE (1809-1849)1. The Philosophy of CompositionKARL MARX (1818-1883) and FRIEDRICH ENGELS (1820-1895)1. From Economic and Philosophic Manuscripts of 18442. From The German Ideology3. From The Communist Manifesto4. From Grundrisse5. From Preface to A Contribution to the Critique of PoliticalEconomy6. Capital, Volume 17.1. From Chapter 1. Commodities2. From Chapter 10. The Working-Day8. From Letter from Friedrich Engels to Joseph BlochCHARLES BAUDELAIRE (1821-1867)1. The Painter of Modern Life2.1. From I. Beauty, Fashion, and Happiness2. From III. The Artist, Man of the World, Man of the Crowd, andChild3. IV. Modernity4. From IX. The Dandy5. XI. In Praise of CosmeticsMATTHEW ARNOLD (1822-1888)1. The Function of Criticism at the Present Time2. Culture and Anarchy3.1. From Chapter 1. Sweetness and LightWALTER PATER (1839-1894)1. Studies in the History of the Renaissance2.1. Preface2. ConclusionSTEPHANE MALLARME (1842-1898)1. Crisis in PoetryHENRY JAMES (1843-1916)1. The Art of FictionFRIEDRICH NIETZSCHE (1844-1900)1. On Truth and Lying in a Non-Moral Sense2. From The Birth of TragedyOSCAR WILDE (1854-1900)1. Preface to The Picture of Dorian Gray2. *From The Decay of Lying: An Observation3. From The Critic as ArtistSIGMUND FREUD (1856-1939)1. The Interpretation of Dreams2.1. From Chapter V. The Material and Sources of Dreams2. From Chapter VI. The Dream-Work3. From The "Uncanny"4. Fetishism1. Course in General Linguistics2. Introduction3.1. From Chapter III. The Object of Linguistics4. Part One. General Principles5.1. Chapter I. Nature of the Linguistic Sign6. Part Two. Synchronic Linguistics7.1. Chapter IV. Linguistic Value2. Chapter V. Syntagmatic and Associative RelationsW. E. B. DU BOIS (1868-1963)1. Criteria of Negro ArtLEON TROTSKY (1879-1940)1. Literature and Revolution2.1. The Formalist School of Poetry and MarxismVIRGINIA WOOLF (1882-1941)1. A Room of One's Own2.1. [Shakespeare's Sister]2. [Chloe Liked Olivia]3. [Androgny]GYOERGY LUKACS (1885-1971)1. *The Historical Novel2.1. From Chapter 1. The Classical Form of The Historical NovelBORIS EICHENBAUM (1886-1959)1. From The Theory of the "Formal Method"T. S. ELIOT (1888-1965)1. Tradition and the Individual Talent2. The Metaphysical PoetsJOHN CROWE RANSOM (1888-1974)1. Criticism, Inc.MARTIN HEIDEGGER (1889-1976)1. LanguageANTONIO GRAMSCI (1891-1937)1. The Formation of the IntellectualsZORA NEALE HURSTON (1891-1960)1. Characteristics of Negro Expression2. What White Publishers Won't Print*ERICH AUERBACH (1892-1957)1. Mimesis: The Representation of Reality in WesternLiterature2.1. Chapter 1. Odysseus's ScarWALTER BENJAMIN (1892-1940)1. The Work of Art in the Age of its TechnologicalReproducibilityMIKHAIL M. BAKHTIN (1895-1975)1. From Discourse in the NovelMAX HORKHEIMER (1895-1973) and THEODOR W. ADORNO (1903-1969)1. Dialectic of Enlightenment2.1. From The Culture Industry: Enlightenment as Mass DeceptionEDMUND WILSON (1895-1972)1. *The Historical Interpretation of LiteratureROMAN JAKOBSON (1896-1982)1. From Linguistics and Poetics2. Two Aspects of Language and Two Types of AphasicDisturbances3.1. V. The Metaphoric and Metonymic PolesJACQUES LACAN (1901-1981)1. The Mirror Stage as Formative of the Function of the I asRevealed in Psychoanalytic Experience2. From The Agency of the Letter in the Unconscious3. The Signification of the PhallusLANGSTON HUGHES (1902-1967)1. The Negro Artist and the Racial MountainJEAN-PAUL SARTRE (1905-1980)1. What Is Literature?2.1. Why Write?CLEANTH BROOKS (1906-1994)1. The Well Wrought Urn2.1. Chapter 11. The Heresy of ParaphraseWILLIAM K. WIMSATT JR. (1907-1975) and MONROE C. BEARDSLEY(1915-1985)1. The Intentional Fallacy2. The Affective Fallacy1. The Second Sex2.1. Chapter XI. Myth and RealityCLAUDE LEVI-STRAUSS (b. 1908)1. Tristes Tropiques2.1. Chapter 28. A Writing LessonJ. L. AUSTIN (1911-1960)1. Performative UtterancesNORTHROP FRYE (1912-1991)1. The Archetypes of LiteratureROLAND BARTHES (1915-1980)1. Mythologies2.1. Photography and Electoral Appeal3. The Death of the Author4. From Work to TextLOUIS ALTHUSSER (1918-1990)1. From Ideology and Ideological State Apparatuses1. Semiology and Rhetoric*C. D. NARASIMHAIAH (1919-2005)1. Towards the Formulation of a Common Poetic for IndianLiteratures TodayIRVING HOWE (1920-1993)1. History and the NovelHANS ROBERT JAUSS (b. 1921)1. From Literary History as a Challenge to Literary TheoryRAYMOND WILLIAMS (1921-1988)1. *Base and Superstructure in Marxist Cultural TheoryFRANTZ FANON (1925-1961)1. The Wretched of the Earth2.1. From On National CultureGILLES DELEUZE (1925-1995) and FELIX GUATTARI(1930-1992)1. Kafka: Toward a Minor Literature2.1. From Chapter 3. What Is a Minor Literature?3. A Thousand Plateaus: Capitalism and Schizophrenia4.1. From Introduction: RhizomeJEAN-FRANCOIS LYOTARD (1925-1998)1. Defining the PostmodernMICHEL FOUCAULT (1926-1984)1. What Is an Author?2. Discipline and Punish: The Birth of the Prison3.1. The Carceral4. The History of Sexuality, Volume 1, An Introduction5.1. Part Two: The Repressive Hypothesis2.1. Chapter 1. The Incitement to Discourse2. Chapter 2. The Perverse ImplantationWOLFGANG ISER (1926 - 2007)1. Interaction between Text and ReaderHAYDEN WHITE (b. 1928)1. The Historical Text as Literary ArtifactJEAN BAUDRILLARD (1929-2007)1. From The Precession of SimulacraJUERGEN HABERMAS (b. 1929)1. *The Public Sphere: An Encyclopedia Article2. Modernity-An Incomplete ProjectADRIENNE RICH (b. 1929)1. From Compulsory Heterosexuality and Lesbian ExistenceCHINUA ACHEBE (b. 1930)1. An Image of Africa: Racism in Conrad's Heart of Darkness*ADUNIS (B. 1930)1. An Introduction to Arab Poetics2.1. From Chapter 1. Poetics and Orality in The Jahiliyya2. From Chapter 4. Poetics and ModernityHAROLD BLOOM (b. 1930)1. The Anxiety of Influence2.1. Introduction. A Meditation upon Priority, and a Synopsis2. Interchapter. A Manifesto for Antithetical CriticismPIERRE BOURDIEU (b. 1930-2002)1. Distinction: A Social Critique of the Judgement ofTaste2.1. Introduction3. *Rules of Art: Genesis and Structure of the Literary Field4.1. Part I. From Chapter 22. Part III. From Chapter 1JACQUES DERRIDA (1930-2004)1. Of Grammatology2.1. Exergue2. The Exorbitant. Question of Method3. Dissemination4.1. Plato's Pharmacy2.1. I2.1. 1. Pharmacia2. 2. The Father of Logos3. 4. From The Pharmakon4. 5. The Pharmakeus3. II4.1. 9. From Play: From the Pharmakon to the Letter and fromBlindness to the Supplement5. *Specters of Marx6.1. From Chapter 1. Injunctions of Marx2. From Chapter 3. Wears and Tears*ZEHOU LI (b. 1930)1. Four Essays on Aesthetics: Twoard a Global View2.1. Chapter 8. The Stratification of Form and PrimitiveSedimentationRICHARD OHMANN (b. 1931)1. From The Shaping of a Canon: U.S. Fiction, 1960-1975STUART HALL (b. 1932)1. Cultural Studies and Its Theoretical LegaciesBARBARA HERRNSTEIN SMITH (b. 1932)1. Contingencies of Value2.1. Chapter 3. Contingencies of ValueFREDRIC JAMESON (b. 1934)1. The Political Unconscious: Narrative as a Socially SymbolicAct2.1. Preface2. From Chapter 1. On Interpretation: Literature as a SociallySymbolic Act3. Postmodernism and Consumer SocietyEDWARD W. SAID (1935-2003)1. Orientalism2.1. Introduction3. *Culture and Imperialism4.1. Chapter 2, Section 2, Jane Austen and EmpireMONIQUE WITTIG (1935-2003)1. One Is Not Born a Woman*BENEDICT ANDERSON (b. 1936)1. Imagined Communities: Reflection on the Origin and Spread ofNationalism2.1. Chapter 3. The Origins of National ConsciousnessSANDRA M. GILBERT (b. 1936) and SUSAN GUBAR (b. 1944)1. The Madwoman in the Attic: The Woman Writer and theNineteenth-Century Literary Imagination2.1. From Chapter 2. Infection in the Sentence: The Woman Writer andthe Anxiety of AuthorshipHELENE CIXOUS (b. 1937)1. The Laugh of the MedusaGERALD GRAFF (b. 1937)1. Taking Cover in CoverageSTANLEY E. FISH (b. 1938)1. Interpreting the VariorumOWUOR-ANYUMBA (1932-1992)1. On the Abolition of the English DepartmentTZVETAN TODOROV (b. 1939)1. Structural Analysis of NarrativePAULA GUNN ALLEN (1939-2008)1. Kochinnenako in Academe: Three Approaches to Interpreting aKeres Indian Tale*KOJIN KARATANI (b. 1941)1. Origins of Modern Japanese Literature2.1. From Chapter 1. The Discovery of LandscapeANNETTE KOLODNY (b. 1941)1. Dancing through the Minefield: Some Observations on theTheory, Practice, and Politics of a Feminist Literary CriticismJULIA KRISTEVA (b. 1941)1. Revolution in Poetic Language2.1. From Part I. The Semiotic and the SymbolicLAURA MULVEY (b. 1941)1. Visual Pleasure and Narrative CinemaGLORIA ANZALDUA (1942-2004)1. Borderlands/La Frontera: The New Mestiza2.1. Chapter 7. La conciencia de la mestiza: Towards a NewConsciousnessGAYATRI CHAKRAVORTY SPIVAK (b. 1942)1. A Critique of Postcolonial Reason2.1. From Chapter 3. History2. [Can the Subaltern Speak?]TERRY EAGLETON (b. 1943)1. Literary Theory: An Introduction2.1. From Chapter 1. The Rise of EnglishSTEPHEN GREENBLATT (b. 1943)1. *From Resonance and WonderBARBARA CHRISTIAN (1943-2000)1. The Race for Theory*N. KATHERINE HAYLES (b. 1943)1. How We Became Posthuman: Virtual Bodies in Cybernetics,Literature, and Informatics2.1. Chapter 2. Virtual Bodies and Flickering SignifiersDONNA HARAWAY (b. 1944)1. A Manifesto for Cyborgs: Science, Technology, and SocialistFeminism in the 1980sBARBARA SMITH (b. 1946)1. Toward a Black Feminist CriticismBARBARA JOHNSON (1947-2009)1. From Melville's Fist: The Execution of Billy Budd*BRUNO LATOUR1. Why Has Critique Run Out of Steam? From Matters of Fact toMatters of Concern*MARTHA C. NUSSBAUM (b. 1947)1. Cultivating Humanity: A Classical Defense of Reform inLiberal Education2.1. Chapter 3. The Narrative ImaginationBONNIE ZIMMERMAN (b. 1947)1. What Has Never Been: An Overview of Lesbian Feminist LiteraryCriticismSUSAN BORDO (b. 1947)1. Unbearable Weight: Feminism, Western Culture, and theBody2.1. Chapter 5. The Body and the Reproduction of FemininityHOMI K. BHABHA (b. 1949)1. The Commitment to Theory*GAYLE RUBIN (b. 1949)1. From Thinking Sex: Notes for a Radical Theory of the Politicsof Sexuality*SLAVOJ THITHEK (b. 1949)1. Courtly Love, or, Woman as ThingHENRY LOUIS GATES JR. (b. 1950)1. Talking Black: Critical Signs of the Times*FRANCO MORETTI (b. 1950)1. Graphs, Maps, Trees: Abstract Models for A LiteraryHistory2.1. Chapter 1. GraphsEVE KOSOFSKY SEDGWICK (b. 1950)1. Between Men: English Literature and Male HomosocialDesire2.1. From Introduction3. Epistemology of the Closet4.1. From Introduction: AxiomaticDICK HEBDIGE (b. 1951)1. Subculture: The Meaning of Style2.1. *Chapter 6. Subculture: The Unnatural BreakSTEVEN KNAPP (b. 1951) and WALTER BENN MICHAELS (b. 1948)1. Against TheoryBELL HOOKS (b. Gloria Jean Watkins, 1952)1. Postmodern Blackness*LISA LOWE (b. 1955)1. Work, Immigration, Gender: New Subjects of CulturalPolitics*PAUL GILROY (b. 1956)1. The Black Atlantic: Modernity and Double Consciouness2.1. From Chapter 1. The Black Atlantic as a Counterculture ofModernity3. Cultural Studies in Black and WhiteJUDITH BUTLER (b. 1956)1. Gender Trouble2.1. From Preface2. From Chapter 3. Subversive Bodily Acts*ANDREW ROSS (b. 1956)1. From The Mental Labor Problem*LAUREN BERLANT (b. 1957) and MICHAEL WARNER (b. 1958)1. Sex in Public*MICHAEL HARDT (b. 1960) and ANTONIO NEGRI (b. 1933)1. Empire2.1. Part 2. From Section 4. Symptoms of Passage*JUDITH HALBERSTAM (b. 1961)1. The Good, The Bad, and the Ugly: Men, Women, andMasculinityNER(01): WOW