Full Description
Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley's finest work.This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition.Context is provided in three supporting sections: "Circumstance, Influence, Composition, Revision," "Reception, Impact, Adaptation," and "Sources, Influences, Analogues." Among the Second Edition's new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel's reception; and David Pirie on the novel's many film adaptations. Related excerpts from the Bible and from John Milton's Paradise Lost are now included, as is Charles Lamb's poem "The Old Familiar Faces.""Criticism" collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf.A Chronology and Selected Bibliography are also included.
Contents
List of Illustrations IntroductionThe Text of Frankensteinmap: Geneva and Its EnvironsTitle page (1818)Dedication (1818)PrefaceFrankensteinContextsCIRCUMSTANCE, INFLUENCE, COMPOSITION, REVISIONMary Shelley ? Introduction to Frankenstein, Third Edition(1831)John William Polidori ? Letter Prefaced to The Vampyre(1819)M. K. Joseph ? The Composition of FrankensteinChris Baldick ? [Assembling Frankenstein]Richard Holmes ? [Mary Shelley and the Power of ContemporaryScience]Christa Knellwolf and Jane Goodall ? [The Significance ofPlace: Ingolstadt]Charles E. Robinson ? Texts in Search of an Editor:Reflections on The Frankenstein Notebooks and on EditorialAuthorityAnne K. Mellor ? Choosing a Text of Frankenstein to TeachRECEPTION, IMPACT, ADAPTATIONPercy Bysshe Shelley ? On Frankenstein[John Croker] ? From the Quarterly Review (January1818)Sir Walter Scott ? From Blackwood's Edinburgh Magazine (March1818)Edinburgh Magazine ? [On Frankenstein] (March 1818)Gentleman's Magazine ? [On Frankenstein] (April 1818)Knight's Quarterly ? [On Frankenstein] (August-November1824)Hugh Reginald Haweis ? Introduction to the Routledge WorldLibrary Edition (1886)Chris Baldick ? [The Reception of Frankenstein]William St. Clair ? [Frankenstein's Impact]Susan Tyler Hitchcock ? [The Monster Lives On]Elizabeth Young ? [Frankenstein as Historical Metaphor]David Pirie ? Approaches to Frankenstein [in Film]SOURCES, INFLUENCES, ANALOGUESThe Book of Genesis ? [Biblical Account of Creation]John Milton ? From Paradise LostPercy Bysshe Shelley ? Mont Blanc (1816)[The Sea of Ice] (1817)MutabilityGeorge Gordon, Lord Byron ? PrometheusDarknessFrom Childe Harold's Pilgrimage, Canto III (1816)Charles Lamb ? The Old Familiar FacesCriticismGeorge Levine ? Frankenstein and the Tradition ofRealismEllen Moers ? Female Gothic: The Monster's MotherSandra M. Gilbert and Susan Gubar ? Mary Shelley's MonstrousEveMary Poovey ? "My Hideous Progeny": The Lady and theMonsterAnne K. Mellor ? Possessing Nature: The Female inFrankensteinPeter Brooks ? What Is a Monster? (According toFrankenstein)Bette London ? Mary Shelley, Frankenstein, and the Spectacleof MasculinityMarilyn Butler ? Frankenstein and Radical ScienceLawrence Lipking ? Frankenstein, the True Story; or, RousseauJudges Jean-JacquesGarrett Stewart ? In the Absence of Audience: Of Reading andDread in Mary ShelleyJames A. W. Heffernan ? Looking at the Monster: Frankensteinand FilmPatrick Brantlinger ? The Reading MonsterJonathan Bate ? [Frankenstein and the State of Nature]Anne K. Mellor ? Frankenstein, Racial Science, and the YellowPerilJane Goodall ? Electrical RomanticismChrista Knellwolf ? Geographic Boundaries and Inner Space:Frankenstein, Scientific Exploration, and the Quest for theAbsoluteMary Shelley: A ChronologySelected BibliographyNER(01): WOW
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