Taiwan Cinema : International Reception and Social Change (Media, Culture and Social Change in Asia)

個数：

Taiwan Cinema : International Reception and Social Change (Media, Culture and Social Change in Asia)

Chiu, Kuei-fen (EDT)/ Rawnsley, Ming-yeh (EDT)/ Rawnsley, Gary (EDT)

ウェブストア価格 ¥11,745（本体¥10,678）
Routledge（2019/12発売）
外貨定価 US$ 55.99
ポイント 106pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 232 p.
言語 ENG
商品コード 9780367877064
DDC分類 791.430951249

Full Description

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

1. From Taiwan New Cinema to Post-New Cinema: An Introduction, Kuei-fen Chiu

Part I: International Reception and Taiwan Cinema

2. Taiwan Cinema across the Globe: A Brazilian Perspective

3. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng

4. Taiwan Cinema at the Venice Film Festival: From Cultural Discovery to Cultural Diplomacy

5. Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s

6. Programming Taiwan Cinema: A View from the International Film Festival Circuit

7. Interventions on Cultural Margins: The Case of the Chinese Film Forum UK and the Presence of Taiwan Cinema in the UK

Part II: Taiwan Cinema and Social Change

8. Becoming a Nation: The Shaping of Taiwan's Native Consciousness in Wei Te-sheng's Post-Millennium Films

9. Imagine There's No China: Wei Te-sheng and Taiwan's 'Japan Complex'

10. Kano and Taiwanese Baseball: Playing with Transregionality and Postcoloniality

11. Seediq Bale as History

12. Violence and Indigenous Visual History: Interventional Historiography in Seediq Bale and Wushe, Chuanzhong Island

13. Archiving an Historical Incident: The Making of Seediq Bale as a Socio-Political Event

14. Mona Rudao's Scar: Two Kinds of Epic Identity in Seediq Bale

Part III: Interview and Supplement

15. A Conversation with Taiwanese Filmmaker Wei Te-sheng