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Full Description
This book examines the role of community filmmaking in society and its connection with issues of cultural diversity, innovation, policy and practice in various places. Deploying a range of examples from Europe, North America, Australia and Hong Kong, the chapters show that film emerging from outside the mainstream film industries and within community contexts can lead to innovation in terms of both content and processes and a better representation of the cultural diversity of a range of communities and places. The book aims to situate the community filmmaker as the central node in the complex network of relationships between diverse communities, funding bodies, policy and the film industries.
Contents
Preface
[Yudhishthir Raj Isar]
1. Community Filmmaking and Cultural Diversity: An Introduction
[Sarita Malik, Caroline Chapain and Roberta Comunian]
Part I: Communities, Diversity and Representation: A Short Introduction
Diversity, Representation and Community Filmmaking: A Short Introduction
[Sarita Malik]
2. Digital Stories, Participatory Practices and Life/Britain in a Day: Framing Creativity and Debating Diversity
[Daniel Ashton]
3. Whose Hong Kong? Cellphilming and Civic Engagement with Ethnic Minority Youth
[Casey Burkholder]
4. Representing Scottish Communities on Screen
[Alistair Scott]
Part II: Networks and Intermediaries
Networks and Intermediaries and Community Filmmaking: A Short Introduction
[Roberta Comunian]
5. 52 Tuesdays: Community Cinema in a Global Context
[Virginia Murray and Kath Dooley]
6. The Collaborative Practices of the Authorless Cinema Collective (Colectivo de Cine Sin Autor)
[Asier Aranzubia, Miguel Fernández Labayen and Aitor Iturriza]
7. Community Media as Social Innovation: Transformation, Agency and Value
[Jonathan Dovey, Shawn Sobers and Emma Agusita]
Part III: Practices in Places and For Places
Practices in Places and For Places: A Short Introduction
[Caroline Chapain]
8. Surfing Multiple Tides: Opportunities and Challenges for Contemporary British and German Community Filmmakers.
[Daniel Mutibwa]
9. Participatory production processes in community filmmaking during urban regeneration in Dublin
[Eileen Leahy]
10. Rewalking the Path: Community Video, Deep Cultural Mapping and Sustainable Canadian Cities
[Sharon Karsten]
Part IV: Engagement and Participation
Engagement and Participation: A Short Introduction
[Sarita Malik, Car
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