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Full Description
This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick's influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach.
The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick's overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments.
In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick's aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Contents
Preface Lee Rothfarb, Alexander Wilfing, and Christoph Landerer Part 1: History of and in On the Musically Beautiful 1. Dynamizing On the Musically Beautiful: The Development of Hanslick's Aesthetic Ideas across Chapters and Editions Christoph Landerer and Alexander Wilfing 2. Hanslick's Concept(s) of Beauty in Relation to History Alexander Wilfing Part 2: Form 3. Hanslick on the Purposiveness of Musical Form Hanne Appelqvist 4. Taking Hanslick at His Music-Theoretical Word Lee Rothfarb Part 3: Emotion 5. Music, Feeling, and Musical Listening: Themes from Chapters 4 and 5 of On the Musically Beautiful Nick Zangwill and Alexander Wilfing 6. Hanslick's Emotional Legacy Lawrence M. Zbikowski Part 4: Imagination and Performance 7. Hanslick's Theory of Musical Imagination Theodore Gracyk 8. A Problematic Legacy: Hanslick's On the Musically Beautiful and the Status of Performance as Supplementary to Beauty Anthony Pryer Part 5: Contemporary Reception 9. Robert Zimmermann's 1854 Review of On the Musically Beautiful: A Translation and Commentary Mark Evan Bonds 10. Challenges to the "Musically Beautiful": Music Drama and the "Psychological Turn" in Later Nineteenth-Century Aesthetics Thomas S. Grey List of Abbreviations Collective Bibliography
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