Full Description
Who, what, and where perceives, and how? What are the sedimentations, inscriptions, and axiologies of animal, human, and machinic perception/s? What are their perceptibilities? Deleuze uses the word 'visibilities' to indicate that visual perception isn't just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio-temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events.
In physics, resonance is the tendency of a system to vibrate with increasing amplitudes at certain frequencies of excitation. In cybernetics and in theories of technology, it refers to systems' feedback. In Native science, resonance denotes the axiology of positions and events. It's a form of multi-species perception that emphasises emergent directionality and protean mnemonics.
This transdisciplinary volume brings together key theorists and practitioners from media theory, Native science, bio-media and sound art, philosophy, art his- tory, and design informatics to examine: a) the becoming-technique of animal- human-machinic perceptibilities; and b) micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. The volume shows distributed perception to be a key notion in addressing the emergence and peristence of plant, animal, human, and machine relations.
Contents
Introduction Part I: Entanglement 1. Relational Philosophy: The Stars are Our Relatives 2. Turning Around and Upside Down: The Nomadic Rhythms of Rain Ants in Sarayaku 3. Do Media Have a Sense of Time? Chrono-technical Interoception 4. Oscilloscopes, Slide Rules and Nematodes: Towards Heterogenetic Perception in/of AI 5. Composing with Resonance, Sounding the Inaudible and Listening for More-than-One 6. The Discrete Charm of Systems Theories: Cybernetic Intelligence and Posthuman Art Environments Part II: Plasticity 7. Unstable Brains and Ordered Societies: On the Conceptual Origins of Plasticity, ca 1900 8. The Human and Nonhuman in the Capitalist production of Subjectivity 9. Resonance Between Sense, Plasticity and Biosemiosis 10. How We Never Became Posthuman: Homeostasis as Conflict from Claude Bernard to Norbert Wiener 11. Intra-Action in Data-Driven Systems: A Case Study in Creative Praxis Part III: Organology 12. Becoming-Distributed Matter: Dreaming and Extended Relationality Among Indigenous Australians 13. Two Painted Flies: Improvised Arts of Perception in Uexküll's Picture Book of Invisible Worlds 14. From Physiological Aesthetics to Anthropological Poetics: Activating the Pictographs of Cerro Azul 15. The Relativity of Life: Cinema as Time Microscope 16. Battlebots, Machine Surrogates and the Organology of Violence Televisual Entertainment 17. Autobiographing our Computing Organs: Rereading Pastw Uses of Intel CPUs as Xenotransplantation Concluding Thoughts
