Full Description
Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment.
Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to argue that these formal innovations should be thought of as a kind of infrastructure. This 'infrastructural form' allows urban comics to reveal that the built environments of our cities are not static, banal, or depoliticised, but rather highly charged material spaces that allow some forms of social life to exist while also prohibiting others. Built from a formal infrastructure of grids, gutters and panels, and capable of volumetric, multi-scalar perspectives, this book shows how urban comics are able to represent, repair and even rebuild contemporary global cities toward more socially just and sustainable ends.
Operating at the intersection of comics studies and urban studies, and offering large global surveys alongside close textual and visual analyses, this book explores and opens up the fascinating relationship between comics and graphic narratives, on the one hand, and cities and urban spaces, on the other.
Contents
Preface
Introduction. Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives
Introduction: The Camp and the City
Form and Infrastructure
Infrastructural Form
Comics Collectives as Networked Urban Social Movements
The Image of the Global City
New York, New York: A Brief History of Comics and the City
Five Southern City Case Studies
Chapter 1. Drawing Public Space: Revolutionary Visual Cultures and the Right to the City in Cairo
Introduction: Revolutionary Visual Cultures and Gendered Public Spaces
Egyptian 'Comix', Online and Offline
Urban Cairo in Text and Image
Vision and Visibility in Magdy El Shafee's Metro (2008)
Volume and Verticality in Deena Mohamed's Qahera, the Webcomic, Not the City (2013-2015) Building Comics, Building Cities
Chapter 2. Image-Making in the Global City: Eco-Speculative Fictions and Urban Social Movements in Cape Town
Introduction: South African Cartoons, Comix and Co-mixed Visual Cultures
Privatisation, Segregation and Image-Making in the Global City
Afrofuturism, Solarpunk and Water Politics
Flooding the Cape Town 'Utopia'
Turning to Townships: Urban Social Movements in Cape Town
Chapter 3. Graphic Katrina: Disaster Capitalism and Tourism Gentrification in New Orleans
Introduction: 'There's No Such Thing As A Natural Disaster'
Voyeurism and Voluntourism in the 'Drowned City'
Vertical Perspectives in Josh Neufeld's A.D. New Orleans After the Deluge (2009)
Comics and Zines in New Orleans: Gentrifying Forms, DIY Cities
Autographics, Art and Activism in Erin Wilson's Snowbird (2013)
Chapter 4. Comics, Collectives, Collaborations: Engineering Pedestrian and Public Spaces in Delhi
Introduction: The City-as-Circuitboard
'Engineering' Comics: Orijit Sen and the Pao Collective
World Class Delhi: Politics in the City 'Inside-Out'
Pedestrianism and Penmanship in Sarnath Banerjee's Graphic Narratives
Histories of the Neoliberal Present in Vishwajyoti Ghosh's Delhi Calm (2010)
Gendering the Right to the City: Women's Maps, Women's Lines
Chapter 5. Comics as Infrastructure: Public Space and Post-war Reconstruction in Beirut
Introduction: Post-war Reconstruction in the Neoliberal Era
Weaponised Infrastructure in Wartime Beirut
Rebuilding the City in Zeina Abirached's Graphic Memoirs
Lamia Ziadé's Bye Bye Babylon: The City as Witness
Urban Warfare and Civilian Life in Text and Image
New Geographies of Beirut: Samandal as Urban Social Movement
Conclusion. Bordered Forms, Bordered Worlds
