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Full Description
The Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of adaptation studies, ranging from theatre and dance to radio, television and new media. It is divided into five sections:
Mapping, which presents a variety of perspectives on the scope and development of adaptation studies;
Historiography, which investigates the ways in which adaptation engages with - and disrupts - history;
Identity, which considers texts and practices in adaptation as sites of multiple and fluid identity formations;
Reception, which examines the role played by an audience, considering the unpredictable relationships between adaptations and those who experience them;
Technology, which focuses on the effects of ongoing technological advances and shifts on specific adaptations, and on the wider field of adaptation.
An emphasis on adaptation-as-practice establishes methods of investigation that move beyond a purely comparative case study model. The Routledge Companion to Adaptation celebrates the complexity and diversity of adaptation studies, mapping the field across genres and disciplines.
Contents
Introduction to the Companion Part I: Mapping the field 1. Pause, rewind, replay: adaptation, intertextuality and (re)defining adaptation studies 2. The Theory of badaptation 3. Adaptation and the concept of the original 4. An evolutionary view of cultural adaptation: some considerations Part II: Historiography 5. Towards a historical turn: adaptation studies and the challenges of history 6. Not just the facts: adaptation, illustration, and history 7. Dialogism's radical texts and the death of the radical vanguard critic 8. Adaptations and the media 9. Literary biopics: adaptation as historiographic metafiction 10. Notoriously bad: early film-to-video game adaptations (1982-1994) 11. Rosas: appropriation as afterlife 12. Adaptations, culture-texts and the literary canon: on the making of nineteenth-century classics Part III: Identity 13. Queer adaptation 14. Fidelity, medium specificity, (in)determinacy: identities that matter 15. The critic-as-adapter 16. Adaptation's originality problem: "grappling with the thorny issue of what constitutes originality" 17. Migration, symbolic geography, and contrapuntal identities: when death comes to Pemberley 18. Adapting identities: performing the self 19. Adaptations down under: reading national identity through the lens of adaptation studies 20. Adaptation and the Australian film revival Part IV: Reception 21. Embodying change: adaptation, the senses, and media revolution 22. Great voices speak alike: Orson Welles's radio adaptation of Victor Hugo's Les Misérable 23. Lux presents Hollywood: films on the radio during the 'golden age' of broadcasting 24. Reconfiguring the Nordic Noir brand: Nordic Noir TV crime drama as remake 25. Tweeting from the grave: Shakespeare, adaptation, and social media 26. Adaptation, fidelity and reception Part V: Technology 27. Adaptation from the temporal to the spatial: materialising Dicken's imaginings 28. An art of borrowing: the intermedial sources of adaptation 29. Blurring the lines: adaptation, transmediality, intermediality, and screened performance 30. Sidewalk Stories: re-sounding silent film 31. Adaptation as a function of technology and its role in the definition of medium specificity 32. Sound stories: audio drama and adaptation 33. Adaptation and new media: establishing the video game as an adaptive medium 34. Memes, GIFs, and remix culture: compact appropriation in everyday digital life
