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Full Description
Creativity and Morality summarizes and integrates research on creativity used to achieve bad or immoral ends. The book includes the use of deception, novel ideas to commit wrongdoings across contexts, including in organizations, the classroom and terrorism. Morality is discussed from an individual perspective and relative to broader sociocultural norms that allow people to believe actions are justified. Chapters explore this research from an interdisciplinary perspective, including from psychology, philosophy, media studies, aesthetics and ethics.
Contents
SECTION I. INTRODUCTION
1. The AMORAL model of dark creativity
2. An interdisciplinary perspective on creativity and morality
3. Beyond malevolent and benevolent: Why creativity and morality have more in common than we expect
4. Morality and creativity
SECTION II. CREATIVITY, MORALITY, AND THE ARTS
5. The relation between aesthetic and moral sensitivity
6. Can you or will you imagine? Ability and willingness to imagine fictional scenarios depends on the type of imaginary world
7. Video games, morality, and empathy
SECTION III. CREATIVITY, MORALITY, AND ORGANIZATIONS/TECHNOLOGY
8. Counterproductive work behaviors and creativity
9. The relationship between creativity and (un)ethical behaviors among employees and leaders
10. Creativity and morality in the world of technology: The intersection of creativity, design, and responsible problem solving
SECTION IV. DARK INFLUENCES ON CREATIVITY AND MORALITY
11. Creativity and individual and tribal ethical behavior
12. Creativity, malevolent creativity, and the Dark Triad
13. The intersection of morality, creativity, and deception
SECTION V. CREATIVITY, MORALITY, AND THE SELF
14. The mixed moral implications of the creative identity
15. The intersections of creativity and complex moral/immoral emotions
16. Morality and creativity
