Curating at the Edge : Artists Respond to the U.S./Mexico Border

個数:

Curating at the Edge : Artists Respond to the U.S./Mexico Border

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 296 p.
  • 言語 ENG
  • 商品コード 9780292754430
  • DDC分類 709.72

Full Description

Located less than a mile from JuÁrez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics.

The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos RamÍrez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.

Contents

Foreword by Lucy Lippard
Introduction: Texas, Mexico, Bhutan, and the Origins of the Rubin
1. Alejandro Almanza Pereda: Just Give Me a Place to Stand
2. Marcos RamÍrez ERRE: To Whom It May Concern, War Notes, 2005
3. SIMPARCH: Hydromancy, 2007
4. Adrian Esparza: Unknitting: Challenging Textile Traditions, 2008
5. Nicola Lopez, Noah MacDonald, Julio CÉsar Morales, Leo Villareal, and Vargas Suarez UNIVERSAL: Claiming Space: Mexican Americans in U.S. Cities, 2008
6. Liz Cohen: No Room for Baggage, 2008
7. Margarita Cabrera: To Flourish
8. Tania Candiani: Battleground, 2009
9. Tom Leader Studio: Snagged, 2009
10. Ivan Abreu and Marcela Armas: Against the Flow: Independence and Revolution, 2010
11. Enrique Ježik: Lines of Division, 2011
12. Atherton Keener: Light Lines, 2011
Acknowledgments
Notes
Bibliography
Index

最近チェックした商品