Full Description
During the goddess Gangamma's festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights into Gangamma's traditions and the nature of Hindu village goddesses.
Contents
Preface and Acknowledgments
Note on Transliteration
Introduction
Part 1. Imaginative Worlds of Gangamma
1. An Aesthetics of Excess
2. Guising, Transformation, Recognition, and Possibility
3. Narratives of Excess and Access
4. Female-Narrated Possibilities of Relationship
5. Gangamma as Ganga River Goddess
Part 2. Those Who Bear the Goddess
6. Wandering Goddess, Village Daughter: Avilala Reddys
7. Temple and Vesham Mirasi: The Kaikalas of Tirupati
8. The Goddess Served and Lost: Tattayagunta Mudaliars
9. Exchanging Talis with the Goddess: Protection and Freedom to Move
10. "Crazy for the Goddess": A Consuming Relationship
Conclusion: Possibilities of a World Become Female
Glossary
Notes
References
Index
