郵便切手のアメリカ史:市民と国家の関係を映す視覚文化と消費文化<br>The American Stamp : Postal Iconography, Democratic Citizenship, and Consumerism in the United States

個数:

郵便切手のアメリカ史:市民と国家の関係を映す視覚文化と消費文化
The American Stamp : Postal Iconography, Democratic Citizenship, and Consumerism in the United States

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 368 p.
  • 言語 ENG
  • 商品コード 9780231208246
  • DDC分類 744.72973

Full Description

More than three thousand different images appeared on United States postage stamps from the middle of the nineteenth century to the end of the twentieth. Limited at first to the depiction of a small cast of characters and patriotic images, postal iconography gradually expanded as the Postal Service sought to depict the country's history in all its diversity. This vast breadth has helped make stamp collecting a widespread hobby and made stamps into consumer goods in their own right.

Examining the canon of nineteenth- and twentieth-century American stamps, Laura Goldblatt and Richard Handler show how postal iconography and material culture offer a window into the contested meanings and responsibilities of U.S. citizenship. They argue that postage stamps, which are both devices to pay for a government service and purchasable items themselves, embody a crucial tension: is democracy defined by political agency or the freedom to buy? The changing images and uses of stamps reveal how governmental authorities have attempted to navigate between public service and businesslike efficiency, belonging and exclusion, citizenship and consumerism. Stamps are vehicles for state messaging, and what they depict is tied up with broader questions of what it means to be American.

Goldblatt and Handler combine historical, sociological, and iconographic analysis of a vast quantity of stamps with anthropological exploration of how postal customers and stamp collectors behave. At the crossroads of several disciplines, this book casts the symbolic and material meanings of stamps in a wholly new light.

Contents

Introduction
Part I: Mailing, Collecting, Cataloguing
1. The Postal Infrastructure of Democratic Citizenship
2. Creating Post-postal Value: Stamp Collecting
3. U.S. Stamps: Cataloguing Polities and Framing National Culture
Part II: Storied Ancestors
4. Fixing the Iconography of National Ancestry: Dead Heads and Moving Bodies During the U.S. Civil War
5. Mining History and Marketing Stamps at the World's Fairs
6. The People in the Postal Polity: Twentieth-Century Definitive Stamps and the Iconography of Democratic Inclusion
Part III: The Stamp of Neoliberalism
7. Postal People: From Industrial Labor, Black Power, and Social Service to Cartoon Citizenship
8. Segregating Stamps: From White Definitives to Racialized Commemoratives
9. How to Do Things with Stamps, Part I: First-Day Covers
10. How to Do Things with Stamps, Part II: Shooting the Moon
Conclusion: Postal Circulation and Citizenship at the End of the American Century
Acknowledgments
Appendix: How Many People Collect Stamps in the United States?
Notes
Bibliography
Index

最近チェックした商品