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基本説明
The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system.
Full Description
The third edition of this accessible book continues to examine how we can extract a broad range of meanings from the films we watch. With an improved structure, better pedagogy and more examples from popular film, this new edition continues to give students of film the vocabulary, context and critical tools they need for serious film study.
Contents
PART IIntroduction: Studying Film: Culture, Practice, Experience Encountering Film: From Preproduction to Exhibition PART II: FORMAL COMPOSITIONS: FILM SCENES, SHOTS, CUTS, AND SOUNDS Exploring a Material World: Mise-en-Scene Framing What We See: Cinematography Relating Images: Film Editing Listening to the Cinema: Film Sound PART III: ORGANIZATIONAL STRUCTURES: FROM STORIES TO GENRES Telling Stories: Narrative Films Representing the Real: Documentary Films Challenging Form: Experimental Film and New Media Rituals, Conventions, Archetypes, and Formulas: Movie Genres PART IV: CRITICAL PERSPECTIVES: HISTORIES, METHODS, WRITING History and Historiography: Hollywood and Beyond Reading about Film: Critical Theories and Methods Writing about Film: Observations, Arguments Research, and Analysis