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Full Description
This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
Contents
Series Editors' Preface
1. Theatre And History
2. 'And'
3. 'History'
4. 'Theatre'
5. History and the Theatre Artist
6. The Anti-theatrical Prejudice
7. The Anti-intellectual Prejudice
8. Theatre and the Historian
9. The Problem with Passions
10. The Problem with Archives
11. Whose History is Theatre's History?
12. Of Knives and Blood
Bibliography
Index.