基本説明
Constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.
Full Description
Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.
Contents
Figures and Plates Abbreviations Acknowledgments 1 Introduction: How to Read an Exposition 2 Berlin 1896: Wilhelm II, Georg Simmel, and the Berliner Gewerbeausstellung 3 Paris 1900: The Exposition universelle as a Century's Protean Synthesis 4 London 1908: Imre Kiralfy and the Franco-British Exhibition 5 Wembley 1924: The British Empire Exhibition as a Suburban Metropolis 6 Vincennes 1931: The Exposition coloniale as the Apotheosis of Imperial Modernity 7 Conclusion: Exhibition Fatigue, or the Rise and Fall of a Mass Medium Coda: Pictures at an Exhibition Appendix Bibliography Index
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