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基本説明
Drawing upon work in philosophy and the cognitive sciences, this book proposes that the cognitive work of theatre is distributed across body, brain, and world.
Full Description
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.
Contents
Introduction The Stuff of Memory Action and Accent: Voice, Gesture, Body, and Mind Social Cognition: Enskillment in the Early Modern Theatre Conclusion: Towards a Model of Cognitive Ecology