R.ピピン著/哲学における芸術/芸術における哲学<br>Philosophy by Other Means : The Arts in Philosophy and Philosophy in the Arts

個数:

R.ピピン著/哲学における芸術/芸術における哲学
Philosophy by Other Means : The Arts in Philosophy and Philosophy in the Arts

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 304 p.
  • 言語 ENG
  • 商品コード 9780226770772
  • DDC分類 111.85

Full Description

Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee.

The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline's traditional analytic and discursive forms. Pippin's claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
 

Contents

Part One: The Arts in Philosophy

1. Philosophical Criticism

2. Kant and the Problem of Tragedy

3. The Status of Literature in Hegel's Phenomenology of Spirit: On the Lives of Concepts

4. The Absence of Aesthetics in Hegel's Aesthetics

5. Hegel on Painting

6. Authenticity in Painting: Remarks on Michael Fried's Art History

7. Photography as Art: Fried and Intention

8. Adorno, Aesthetic Negativity, and the Problem of Idealism

Part Two: Philosophy in the Arts

9. On Maisie's Knowing Her Own Mind

10. Subjectivity: A Proustian Problem

11. The Shadow of Love: The Role of Jealousy in Proust's À la recherche du temps perdu

12. The Paradoxes of Power in the Early Novels of J. M. Coetzee

13. Philosophical Fiction? On J. M. Coetzee's Elizabeth Costello

Acknowledgments

Works Cited

Index

最近チェックした商品