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Full Description
As with previous editions, the new Aestheticsthe Arts uses classic and contemporary readings of leading philosophers of the arts. This Third Edition includes more than a dozen new essays either written or adapted especially for this volume. Containing more than 90 essays in total, the new edition offers generous choices for class readings, thus minimizing supplementary material needed for required assignments and independent research.In keeping with earlier editions, the Third Edition is a large collection of essays, most comparatively brief and organized first by groupings of art forms and then by general essays about the arts. It attempts to keep pace with theorizing about those art forms not traditionally covered in most books on aesthetics, like the jazz, rock, comics, video games, and even the aesthetics of junkyards. There is, then, an emphasis on the popular and mass arts and everyday aesthetics, as well as on time-honored problems in philosophy of the arts. This edition, which contains contributions by both analytic and continental philosophers, expands upon offerings in non-Western art and aesthetics. Finally, although intended to keep pace with topics and issues currently debated, instructors and students will find, in a special section, key classic texts.
Contents
PART I PAINTINGAgainst Imitation, PlatoThe Limits of Likeness, Ernst GombrichReality Remade, Nelson GoodmanThe "Perfect" Fake, Nelson GoodmanArtistic Crimes, Denis DuttonForm in Modern Painting, Clive BellA Formal Analysis, Edmund Burke FeldmanOn Modernist Painting, Clement GreenbergIntentional Visual Interest, Michael BaxandallWorks of Art and Mere Real Things, Arthur C. DantoThe Origin of the Work of Art, Martin HeideggerWhy are there no Great Women Artists? Linda NochlinThe Paradox of Expression, Garry L. HagbergPainting and Ethics, Anne EatonArt and Corruption, David Alfaro SiqueriosPART II PHOTOGRAPHY AND FILMThe Work of Art in the Age of Mechanical Reproduction, Walter BenjaminTransparent Pictures, Kendall L. WaltonWhy Photography Doesn't Represent Artistically, Roger ScrutonWhat's Special About Photography? Ted CohenThe Hubble Photographs as Aesthetic Objects, Flo LeibowitzAllegory of the Cave, PlatoThe Power of Movies, Noel CarrollWoman as Image, Man as Bearer of the Look, Laura MulveyAudience, Actor, and Star, Stanley CavellBeauty and Evil: the Case of Leni Riefenstahl, Mary DevereauxThe Last King of Scotland: The Ethics of Race in Film, Paul TaylorPART III ARCHITECTURE AND THE THIRD DIMENSIONThe Problem of Architecture, Roger ScrutonVirtual Space, Suzanne LangerOrnament and Crime, Adolf LoosTowards an Architecture, Le CorbusierArchitecture as Decorated Shelter, Robert VenturiA Discussion of Architecture (with Christopher Norris), Jacques DerridaThe Dislocation of the Architectural Self, David GoldblattNature and Art, Donald CrawfordSomething there is that Doesn't Love a Wall, Patricia C. PhillipsPART IV MUSICOn the Concept of Music, Jerrold LevinsonOntology of Music, Ben Caplan and Carl MathesonMaking Tracks, Andrew KaniaIs Live Music Dead? Lee B. BrownThe Expression of Emotion in Music, Stephen Davies Representation in Music, Roger ScrutonSound and Semblance, Peter KivyAfrican Music, John Miller ChernoffJazz and Language, Robert KrautA Topography of Musical Improvisation, Philip AlpersonPART V LITERATUREWhat Is Literature? Terry EagletonThe Poetic Expression of Emotion, R. G. CollingwoodThe Intention of the Author, Monroe BeardsleyWhat Is an Author? Michel FoucaultCriticism as Retrieval, Richard WollheimBeneath Interpretation, Richard ShustermanThe Art of Writing, Lu ChiHow to Eat a Chinese Poem, Richard BodmanImagination and Make-Believe, Gregory Currie Ion, PlatoOn Tragedy, Aristotle The Birth of Tragedy, Friedrich Nietzsche On Oedipus Rex and Hamlet, Sigmund FreudVirtual Powers, Suzanne LangerWhat is Going on in a Dance? Monroe C. BeardsleyWorking and Dancing, Noel Carroll and Sally BanesThe Dance of S'iva, Ananda K. CoomaraswamyLiterature as a Performing Art, J. O. UrmsonArt as Performance, David DaviesPART VII POPULAR ART AND EVERYDAY AESTHETICSPlato and the Mass Media, Alexander NehamasAdorno's Case Against Popular Music, Lee B. BrownAesthetics and Popular Art, Richard ShustermanTelevision and Aesthetics, Umberto Eco Social Consciousness in Dancehall Reggae, Anita M. WatersKitsch, Robert SolomonThe Aesthetics of Junkyards, Thomas LeddyFakin' It: Is There Authenticity in Commercial Music? Theodore GracykCan White People Sing the Blues? Joel RudinowJokes, Ted CohenDefining Comics, Aaron MeskinRelating Comics, Cartoons, and Animation, Henry John PrattVentriloquism, David GoldblattDefining Mass Art, Noel CarrollVideogames, Interactivity and Art, Grant TavinorIs it Only a Game? The Ethics of Video Game Play, Stephanie PatridgePornography, Joel FeinbergThe Real Harm of Pornography, Catharine A. MacKinnonPART VIII CLASSIC SOURCESOf the Standard of Taste, David HumeThe Sublime, Edmund BurkeJudgments about the Beautiful, Immanuel KantThe Philosophy of Fine Art, G. W. F. HegelArt as Experience, John DeweyPart IX CONTEMPORARY SOURCESAesthetic Concepts, Frank SibleyCategories of Art, Kendall L. WaltonThe Role of Theory in Aesthetics, Morris WeitzArt as a Social Institution, George DickieFeminism in Context, Peg Zeglin BrandA Different Plea for Disinterest, Theodore GracykAesthetic Appreciation of the Natural Environment, Allen CarlsonArt and Natural Selection, Denis Dutton
