Full Description
In late eighteenth-century Vienna and the surrounding Habsburg territories, over 50 minor-key symphonies by at least 11 composers were written. These include some of the best-known works of the symphonic repertoire, such as Haydn's 'Farewell' Symphony and Mozart's Symphony No. 40 in G minor, K. 550. The driving energy, intense pathos and restlessness of these compositions demand close attention and participation from the listener, and pose urgent questions about meaning and interpretation.
In response to these questions, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart combines historical perspectives with recent developments in music analysis to shed new light on this distinctive part of the repertoire. Through an intertextual, analytical approach, author Matthew Riley treats the minor-key symphony as a subgenre of several strands, reconstructing the compositional world it occupied. His work enables signals to be understood, puts characteristic strategies in clear relief, and ultimately reveals the significance this music held for both composers and listeners of the time. Riley gives us a fresh picture of the familiar masterpieces of Haydn and Mozart, while also focusing on lesser known composers.
Contents
Acknowledgements ; Tables, figures and music examples ; 1 The Viennese minor-key symphony ; 2 Imperial court composers: Wagenseil, Gassmann, Ordonez ; 3 Va?hal to 1771: five first movements ; 4. Two subgeneric conventions: the contrapuntal minuet, the stormy finale ; 5. Studies in Haydn's minor-key symphonies 1763-1772 ; 6. Va?hal's new paths: four later symphonies ; 7. Modal reversal and characteristic symphonies ; 8. Mozart and the minor-key symphony ; Glossary of analytical terms ; Appendix 1 Thematic catalogues consulted for the information in Table 1.1 ; Appendix 2 Sources of the symphonies used for analysis; CD recordings ; Bibliography ; Index
