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Full Description
The book joins a growing scholarship in the field of Bollywood film studies, encompassing methodological sub-groups such as discursive or narrative studies, textual analysis, audience research, and the political economy of Bollywood. It particularly focuses on the representation of Muslims in postcolonial Bollywood cinema that draws upon earlier questions and concerns about narrative style and the politics of representing Muslims. It also includes issues concerning Muslim film genres and the chronological shift in the portrayal of Muslims that is contingent upon national politics. In Bollywood cinema, Muslims have traditionally been portrayed through the lens of religion. Narratives associated with that specific religious identity have been adapted, based on the socio-political setting of the country at the time of the film's making. The study, thus, adds to scholarship on 'representation' in popular Hindi cinema.
Contents
List of Figures
List of Abbreviations
Preface
Acknowledgements
Introduction
1: Role of Muslims in Filmmaking
2: Muslim Historical genre and Muslims in Historical Genre: From Diplomat Warriors to Barbarian Outsiders
3: The Muslim Social Genre: From Exotic Exclusive to Ordinary Inclusive
4: The Muslim Political Genre: From Anti-Pakistani Jingoism to Islamophobia
5: The Muslim Modern Genre: From Allegiant to Secular
Epilogue: The Representation of the 'Other'
Appendix - I: Interview Schedule / Questionnaire
Appendix - II: List of Movies Forming the Universe of the Study
Appendix - III: Demographic / Brief Bio. of the Participents
References
Index
