オックスフォード版 シェイクスピアと近世の作者性ハンドブック The Oxford Handbook of Shakespeare and Early Modern Authorship (Oxford Handbooks)

オックスフォード版　シェイクスピアと近世の作者性ハンドブック<br>The Oxford Handbook of Shakespeare and Early Modern Authorship (Oxford Handbooks)

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オックスフォード版　シェイクスピアと近世の作者性ハンドブック
The Oxford Handbook of Shakespeare and Early Modern Authorship (Oxford Handbooks)

Loughnane, Rory (EDT)/ Sharpe, Will (EDT)

ウェブストア価格 ¥43,168（本体¥39,244）
Oxford University Press（2025/09発売）
外貨定価 US$ 210.00
ポイント 392pt

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製本 Hardcover:ハードカバー版／ページ数 904 p.
言語 ENG
商品コード 9780198852414

Full Description

The Oxford Handbook of Shakespeare and Early Modern Authorship draws together leading and emerging scholars of Shakespeare and early modern literature to consider anew how authorship worked in the time in which Shakespeare wrote, and to interrogate the construction of the Shakespeare-as-author figure. Composed of four main sections, it offers fresh analysis of the literary and cultural influences and forces that 'formed' authors in the period; the 'mechanics' of early modern authorship; the 'mediation' of Shakespeare and others' works in performance, manuscript, and print; and the critical and popular reimagining across times of Shakespeare as an author figure.

Diving into modern debates about early modern authorship, authority, and identity politics, contributors supply rich new accounts of the wider scene of professional authorship in early modern England, of how Shakespeare's writings contributed to it, and of what made him distinctive within it. Looking beyond Shakespeare, the Handbook seeks to provide a vital testing ground for new research into early modern literature and culture more broadly.

1: Rory Loughnane: Introduction
PART I: SHAKESPEARE AND AUTHOR FORMATION
2: Heather James: Classical Inheritance
3: Tamara Atkin: Medieval Inheritance
4: Adrian Streete: Religion
5: Mel Evans: Language and Sociolect
6: Gabrielle Golinelli and Iolanda Plescia: Gender
7: Bruce R. Smith: Sexuality
8: Andrew Hadfield: Kinds of Author
9: Andrew Gordon: Textual Environments
10: Tara Hamling and Catherine Richardson: Material Environments
11: Terri Bourus: Theatrical Environments
12: Jeremy Lopez: Competition
13: Meryl Faiers and Martin Wiggins: Economics
PART II: SHAKESPEARE AND THE MECHANICS OF AUTHORSHIP
14: Dennis Britton and Melissa Walter: Research
15: Joshua Calhoun and Jonathan Walker: Tools and Materials
16: Andrew Mattison: Solo Authorship
17: Heather A. Hirschfeld: Collaboration
18: Andrew J. Power: Casting
19: Amanda Eubanks Winkler: Music
20: Will Sharpe: Adaptation and Revision
21: Brett Greatley-Hirsch and Sarah Neville: Genre
22: Lisa Hopkins: Form
23: Hugh Craig: Style
PART III: MEDIATING SHAKESPEARE AS AUTHOR
24: James J. Marino: Early Performance
25: Amy Lidster: Preliminaries and Paratexts
26: Jennifer Young: Textual Space
27: Claire M. L. Bourne: Typography
28: John Jowett: Variant Texts
29: Tara L. Lyons: Collections
30: Eric Rasmussen and Ian De Jong: Annotation
31: José A. Pérez Díez: Editions and Canonization, 1623-2024
PART IV: CONCEPTS AND CRITIQUES
32: Patrick Cheney: Literary Author
33: Eoin Price and Catherine Clifford: Court Dramatist
34: Chris Fitter: Populist
35: Claire McEachern: National Playwright
36: Jesús Tronch: Attribution and Editing
37: Rachel White: Attribution and Intersectionality
38: Cristina León Alfar: Feminist Authorship Studies
39: Alan Stewart: Queer Authorship Studies
40: Michael Joel Bartelle: Authorship and Othering
41: Alexa Alice Joubin: Screening Authorship, Performativity, and Transness
42: Laurie Johnson: Authorship and Cognitive Studies
43: Vin Nardizzi: Ecologies of Authorship
44: Gary Taylor: The Politics of Attribution