法の演劇性：古代・中近世ヨーロッパ Law as Performance : Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Law and Literature)

法の演劇性：古代・中近世ヨーロッパ<br>Law as Performance : Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Law and Literature)

個数：

法の演劇性：古代・中近世ヨーロッパ
Law as Performance : Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe (Law and Literature)

Stone Peters, Julie

ウェブストア価格 ¥9,567（本体¥8,698）
Oxford University Press（2026/04発売）
外貨定価 UK£ 30.00
ポイント 86pt

提携先の海外書籍取次会社に在庫がございます。通常約2週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 368 p.
言語 ENG
商品コード 9780197903957
DDC分類 340.09

Full Description

Tirades against legal theatrics are nearly as old as law itself, and yet so is the age-old claim that law must not merely be done: it must be "seen to be done." Law as Performance traces the history of legal performance and spectatorship through the early modern period. Viewing law as the product not merely of edicts or doctrines but of expressive action, it investigates the performances that literally created law: in civic arenas, courtrooms, judges' chambers, marketplaces, scaffolds, and streets. It examines the legal codes, learned treatises, trial reports, lawyers' manuals, execution narratives, rhetoric books, images, (and more) that confronted these performances, praising their virtues or denouncing their evils. In so doing, it recovers a long, rich, and largely overlooked tradition of jurisprudential thought about law as a performance practice. This tradition not only generated an elaborate poetics and politics of legal performance. It provided western jurisprudence with a set of constitutive norms that, in working to distinguish law from theatrics, defined the very nature of law. In the crucial opposition between law and theatre, law stood for cool deliberation, by-the-book rules, and sovereign discipline. Theatre stood for deceptive artifice, entertainment, histrionics, melodrama. And yet legal performance, even at its most theatrical, also appeared fundamental to law's realization: a central mechanism for shaping legal subjects, key to persuasion, essential to deterrence, indispensable to law's power—as it still does today.

Introduction 1: Theatre, Theatrocracy, and the Politics of Pathos in the Athenian Lawcourt 2: The Roman Advocate as Actor: Actio, Pronuntiatio, Prosopopoeia, and Persuasive Empathy in Cicero and Quintilian 3: Courtroom Oratory, Forensic Delivery, and the Wayward Body in Medieval Rhetorical Theory 4: Irreverent Performances, Heterodox Subjects, and the Unscripted Crowd from the Medieval Courtroom to the Stocks and Scaffold 5: Performing Law in the Age of Theatre (c. 1500-1650) 6: Legal Performance Education in Early Modern England Epilogue