Full Description
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of The Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
Contents
Preface to Volume I Introduction
George E. Lewis and Benjamin Piekut I. Cognitions 1. Cognitive Processes in Musical Improvisation
Roger Dean and Freya Bailes 2. The Cognitive Neuroscience of Improvisation
Aaron L. Berkowitz 3. Improvisation, Action Understanding, and Music Cognition With and Without Bodies
Vijay Iyer 4. The Ghost in the Music, or The Perspective of an Improvising Ant
David Borgo II. Critical Theories 5. The Improvisative
Tracy McMullen 6. jurisgenerative grammar (for alto)
Fred Moten 7. Is Improvisation Present?
Michael Gallope 8. Politics as Hypergestural Improvisation in the Age of Mediocracy
Yves Citton 9. On the Edge: A Frame of Analysis for Improvisation
Davide Sparti 10. The Salmon of Wisdom: On the Consciousness of Self and Other in Improvised Music and In the Language that Sets One Free
Alexandre Pierrepont 11. Improvising Yoga
Susan Leigh Foster III. Cultural Histories 12. Michel de Montaigne, or Philosophy as Improvisation
Timothy Hampton 13. The Improvisation of Poetry, 1750-1850: Oral Performance, Print Culture, and the Modern Homer
Angela Esterhammer 14. Germaine de Staël's Corinne, or Italy and the Early Usage of Improvisation in English
Erik Simpson 15. Improvisation, Time, and Opportunity in the Rhetorical Tradition
Glyn P. Norton 16. Improvisation, Democracy, and Feedback
Daniel Belgrad IV. Mobilities 17. Improvised Dance in the Reconstruction of THEM
Danielle Goldman 18. Improvising Social Exchange: African American Social Dance
Thomas F. DeFrantz 19. Fixing Improvisation: Copyright and African American Vernacular Dancers in the Early Twentieth Century
Anthea Kraut 20. Performing Gender, Race, and Power in Improv Comedy
Amy Seham 21. Shifting Cultivation as Improvisation
Paul Richards V. Organizations 22. Improvisation in Management
Paul Ingram and Bill Duggan 23. Free Improvisation as a Path-Dependent Process
Jared Burrows and Clyde G. Reed VI. Philosophies 24. Musical Improvisation and the Philosophy of Music
Philip Alperson 25. Improvisation and Time-Consciousness
Gary Peters 26. Improvising Impromptu, Or, What to Do with a Broken String
Lydia Goehr 27. Ensemble Improvisation, Collective Intention, and Group Attention
Garry L. Hagberg 28. Interspecies Improvisation
David Rothenberg 29. Spiritual Exercises, Improvisation, and Moral Perfectionism: With Special Reference to Sonny Rollins
Arnold I. Davidson 30. Improvisation and Ecclesial Ethics
Samuel Wells
