Inventing the Recording : The Phonograph and National Culture in Spain, 1877-1914 (Currents in Latin American and Iberian Music)

個数:
電子版価格
¥11,962
  • 電子版あり

Inventing the Recording : The Phonograph and National Culture in Spain, 1877-1914 (Currents in Latin American and Iberian Music)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 240 p.
  • 言語 ENG
  • 商品コード 9780197552063
  • DDC分類 780.266

Full Description

Inventing the Recording focuses on the decades in which recorded sound went from a technological possibility to a commercial and cultural artefact. Through the analysis of a specific and unique national context, author Eva Moreda Rodríguez tells the stories of institutions and individuals in Spain and discusses the development of discourses and ideas in close connection with national concerns and debates, all while paying close attention to original recordings from this era.

The book starts with the arrival in Spain of notices about Edison's invention of the phonograph in 1877, followed by the first demonstrations of the invention (1878-1882) by scientists and showmen. These demonstrations greatly stimulated the imagination of scientists, journalists and playwrights, who spent the rest of the 1880s speculating about the phonograph and its potential to revolutionize society once it was properly developed and marketed. The book then moves on to analyse the 'traveling phonographs' and salones fonográficos of the 1890s and early 1900s, with phonographs being paraded around Spain and exhibited in group listening sessions in theatres, private homes and social spaces pertaining to different social classes. Finally, the book covers the development of an indigenous recording industry dominated by the so-called gabinetes fonográficos, small businesses that sold imported phonographs, produced their own recordings, and shaped early discourses about commercial phonography and the record as a commodity between 1896 and 1905.

Contents

Acknowledgements

Introduction
Chapter 1: Imagining the phonograph, 1877-1888
Chapter 2: Travelling phonographs, 1888-1900
Chapter 3: Inventing the recording: gabinetes fonográficos and early commercial phonography in Madrid, 1896-1905
Chapter 4: Science, urban space and early phonography in Barcelona, 1898-1914
Chapter 5: Gabinetes fonográficos in Valencia, 1899-1901
Chapter 6: (Dis)embodied voices: recording singers, 1896-1914
Chapter 7: Consuming and collecting records in Spain, 1896-1905
Conclusion

Table 1
Table 2
Table 3
Table 4
Bibliography

最近チェックした商品