基本説明
Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experiment. Haynes, a veteran of the Movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition. This stimulating and compelling book will appeal to musicians and non-musicians alike.
Full Description
Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition. Written for musicians and non-musicians alike.
Contents
List of Musical Examples
List of Recorded Excerpts
Preface: If this Muses Come to Call
Acknowledgements
Part I: Performing Styles
One: Performing Style: When You Say Something Differently, You Say Something Different
Two: Mind the Gap: Current Styles
Three: Mainstream Style: "Chops, but no Soul"
Part II: How Romantic Are We?
Four: Classical Music's Coarse Caress
Five: The Transparent Performer
Six: Changing Meanings, Permanent Symbols
Part III: Anachronism and Authenticity
Seven: Original Ears
Eight: Ways of Copying the Past
Nine: The Medium is the Message: Period Instruments
Ten: Baroque Oratory Compared with Romantic Autobiography
Eleven: Gestural Phrasing
Part V: The End of "Early" Music
Twelve: Passive and Active Musicking: Stop Staring and Grow Your Own
Thirteen: Mainstream Musicking as "Early Music"
Fourteen: Perpetual Revolution
Notes
List of Bibliographic Abbreviations
Bibliography
Index
