The Moral Economies of American Authorship : Reputation, Scandal, and the Nineteenth-Century Literary Marketplace (Oxford Studies in American Literary History)

個数：

The Moral Economies of American Authorship : Reputation, Scandal, and the Nineteenth-Century Literary Marketplace (Oxford Studies in American Literary History)

Ryan, Susan M.

ウェブストア価格 ¥24,125（本体¥21,932）
Oxford University Press Inc（2016/02発売）
外貨定価 US$ 115.00
ポイント 219pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 232 p.
言語 ENG
商品コード 9780190274023
DDC分類 810.9003

Full Description

The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations. Using a wide range of printed materials--prefaces, dedications, and other paratexts as well as book reviews, advertisements, and editorials that appeared in the era's magazines and newspapers--The Moral Economies of American Authorship recovers and analyzes the circulation of authors' moral currency, attending not only to the marketing of apparently ironclad status but also to the period's not-infrequent author scandals and ensuing attempts at recuperation. These preoccupations prove to be more than a historical curiosity-they prefigure the complex (if often disavowed) interdependence of authorial character and literary value in contemporary scholarship and pedagogy. Combining broad investigations into the marketing and reception of books with case studies that analyze the construction and repair of particular authors' reputations (e.g., James Fenimore Cooper, Mary Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of the field's investments in and uses of authorial character. In the nineteenth century's deployment of moral character as a signal element in the marketing, reception, and canonization of books and authors, we see how biography both vexed and created literary status, adumbrating our own preoccupations while demonstrating how malleable-and how recuperable-moral authority could be.

Introduction: Moral Markets ; Chapter 1. Fenimore Cooper, Property, and the Trials of National Authorship ; Chapter 2. Paratexts and the Making of Moral Authority ; Chapter 3. Frederick Douglass's Marketing of Moral Repair ; Chapter 4. The Currency of Reputation ; Chapter 5. Stowe, Byron, and the Art of Scandal ; Epilogue: Reputation Redux ; Notes ; Index