目次
1 Film Control in the Japan Film Law(Eiga‐ho)
2 “Me‐istic Nationalism” in Films Promoted by the Japan Self‐Defense Forces:Focus on Midnight Eagle as an Example
3 Collaboration between U.S.Film Industry and U.S.Government for Film Distribution in the Republic of China
4 WW2 Film Production in Chongqing:The Japanese Spy
5 Factors in the Establishment of the Animation Industry in Postwar Japan
6 Virtuous and Depraved:Portrayals of Women in North Korean Cinema
7 Dual Language,Dubbed Cinema:An Enlightened Colonial Subject in Homeless Angels
8 Double‐edged National Imagery:From The Daughter of the Samurai to My Japan
9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s