Description
This book examines the influence of architectural design in the conservation of historic buildings by discussing in detail an important building complex in Rome: the Temple of Venus and Rome, the monastery of Santa Maria Nova and the church of Santa Francesca Romana. As the most complete site in the Roman Forum that has reached our times with a rich architectural stratification almost intact, it is a clear product of continuous preservation and transformation and it has not been studied in its complexity until now.
The Temple of Venus and Rome and Santa Francesca Romana at the Roman Forum unravels the original designs and the subsequent interventions, including Giacomo Boni’s pioneering conservation of the monastery, carried out while excavating the Roman Forum in the early twentieth century. The projects are discussed in context to show their significance and the relationships between architects and patrons. Through its interdisciplinary focus on architectural design, conservation, archaeology, history and construction, this study is an ideal example for scholars, students and architects of how to carry out research in architectural conservation.
Table of Contents
Table of contents
Foreword: Giovanni Carbonara, Professor Emeritus in Architectural Conservation, University of Rome "Sapienza"
Preface
Acknowledgments
Introduction
Chapter 1: The First Architecture: The First Architecture: From the Velia to the Vestibule of the Golden House of Nero
1.1 The primitive landscape: the Roman Forum and the Velia hill
1.2 The first settlements in the Roman Forum
1.3 The Etruscan Mark
1.4 The Velia from Republican to Imperial Rome
1.5 Augustus and the Giulio Claudia dynasty
1.6 Nero’s urban project: from the Domus Transitoria to the Domus Aurea
List of References
Chapter 2: The Place Transformed: The Temple of Venus and Rome of Hadrian
2.1 Flavian Architecture
2.2 Helenism, Mithraism and the Eleusinian Mysteries
2.3 Hadrian architect of the Urbs¬: conservation and innovation of the classical temple
2.4 The Temple of Venus and Rome
2.5 The fortune of the temple after Hadrian: the Antonines and Maxentius’ Intervention After the Fire of 283 A.D.
List of References
Chapter 3: Decadence, Destruction and Recovery of the Place: The churches of Ss. Peter and Paul and S. Maria Nova and Alexander III
3.1 From Pagan to Christian
3.2 The Constantinian basilicas
3.3 Byzantine Rome, Rome in ruins
3.4 Honorius I and the expolio of the Temple of Venus and Rome
3.5 The church of Ss. Peter and Paul
3.6 Santa Maria Nova (s. IX-XIV)
3.7 The Frangipane Rocca
3.8 Cultural Renaissance: the work of Alexander III and the ‘International Style’
3.9 The Gothic restoration of Honorio III
3.10 Civitas and delimitation of space: the first monastery
List of References
Chapter 4: Architectural Preservation and Transformation, Patronage and Innovation: The Olivetan Order, Carlo Lambardi y Gianlorenzo Bernini
4.1 The Olivetans in S. Maria Nova and their Regeneration of the Place
4.2 Santa Francesca Romana and Santa Maria Nova
4.3 The first Renaissance in Rome and the Tridentine Reforms in Santa Maria Nova
4.4 The canonization of S. Francesca Romana and the transformation of the church (1612-1614)
4.5 The new urban dimension of the church: the Facade of S. Francesca Romana (1614-1615)
4.6 Bernini’s Confessione
4.7 The Monastery and "L'universale ristabilimento" from the middle of the eighteenth century
List of References
Chapter 5: The New Conservation Ideology: Giuseppe Valadier y Giuseppe Camporesi
5.1 The end of seventeeth-century: a new architectural awareness
5.2 The changes at the end of the Roman Settecento: Archeology, Conservation and the Taste for the Ancient
5.3 Napoleonic Rome: Looting, Count of Tournon’s Programme and the Archaeological Park
5.4 Demolition and Reintegration of the Monastery of Santa Maria Nova
5.5 The Arch of Titus ... or the Arch of Pius?
5.6 The love for the ruins and the Grand Tour
5.7 Architectural Conservation in the second half of the nineteeth-century: Restoration versus Conservation
5.8 The transformations for Roma Capitale and the monumental complex at the end of the nineteenth century
5.9 The first Vienna School, Alois Riegl and the Kunstwollen
List of References
Chapter 6: Conservation and Architectural Project: Giacomo Boni as pioneer of the the ‘Critical Conservation’
6.1 Giacomo Boni: ‘The Method’, instruments and education
6.2 Boni, Ruskin, Webb and SPAB
6.3 The innovation in the conservation of the cloister of the monastery of Santa Maria Nova: from ‘com’era, dov’era’ to scientific ‘stratigraphic architectural conservation design’
6.4 Giovannoni and Mussolini: Romanità and Modernity
6.5 The Via dell’Impero and the desctruction of the Velia
6.6 The restoration of the Temple of Venus and Rome and the Athens and Italian Conservation Charters
6.7 Theory of Conservation: Cesare Brandi on Painting, Sculpture and…Architecture?
6.8 Boni, Cirilli, Scarpa, Brandi y Venturi
6.9 The Roman School of Conservation, the ‘Critical Conservation’
6.10 Rebuilding the Velia: reflections on architectural and urban conservation in the second half of the s. XX
6.11 Old and New: The Contemporary Discourse
List of References
Conclusion: The Architectural Conservation Project: Preservation and Transformation
7.1 The Continuous Architecture
7.2 The Skillful Conservation of the Architectural Idea
7.3 The conservation project as preservation and transformation of preexistences
7.4 Conclusion
List of References
List of Figures
Index
