ラウトレッジ版　カルト映画必携<br>The Routledge Companion to Cult Cinema

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ラウトレッジ版　カルト映画必携
The Routledge Companion to Cult Cinema

  • 言語：ENG
  • ISBN：9781138950276
  • eISBN：9781317362234

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Description

The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible).

Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever; exploitation films; genre cinema; multiple media formats cult cinema is expressed through; issues of cultural, national, and gender representations; elements of the production culture of cult cinema; and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones.

The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East, and Latin America, making it an innovative and important resource for researchers and students alike.

Table of Contents

Introduction: The Cult Cinema Studies Experience

PART I: GENRES AND CYCLES

Genres, Cycles, and Modes

  1. ‘Naughty’, ‘Nasty’, ‘Culty’: Exploitation Film – Ernest Mathijs

  2. Underground Film and Cult Cinema – Glyn Davis

  3. Cult-Art Cinema: Defining Cult-Art Ambivalence – David Andrews

  4. "It happens by accident": Failed Intentions, Incompetence, and Sincerity in Badfilm – Becky Bartlett

  5. Cult Horror Cinema – Steffen Hantke

  6. Cult Science Fiction Cinema – Mark Bould

  7. Cult Comedy Cinema and the Cultic, Comic Mode – Seth Soulstein

  8. The Italian Giallo – Alexia Kannas

    9. PART II: GLOBAL AND LOCAL CULT CINEMA

    Global and Local Cult Cinema

  9. Latsploitation – Dolores Tierney

  10. Iranian Cult Cinema - Babak Tabarraee

  11. Rebels Without a Cause: The Bombay Cult Film – Vibhushan Subba

  12. East Asian Cult Cinema – Robyn Citizen

  13. Anime Is (Not) Cult: Gainax and the Limits of Cult Cinema – Rayna Dennison

  14. Blaxploitation – Harry M. Benshoff

    15. PART III: CRITICAL CONCEPTS

    Critical Concepts

  15. Cult Cinema and Gender – Brenda Austin-Smith

  16. Cult Cinema and Nostalgia – Renee Middlemost

  17. Oc/cult Film and Video – Anna Powell

  18. Transgression in Cult Cinema– Thomas Joseph Watson

  19. Access All Areas? Anglo-American Film Censorship and Cult Cinema in the Digital Era – Emma Pett

  20. Cult Cinema and Camp – Julia Mendenhall

    21. PART IV: EXHIBITION, DISTRIBUTION

    Cult Film Distribution and Exhibition

  21. Midnight Movies- Carter Moulton

  22. Drive-in and Grindhouse Theaters – David Church

  23. Blood Cults: Historicising the North American "shot on video" horror movie – Johnny Walker

  24. Cult Cinema in the Digital Age – Iain Robert Smith

  25. Cult Cinema and Film Festivals – Russ Hunter

    26. PART V: FANDOM

    Cult Fandom

  26. Conventions and Cosplay – Lynn Zuberbnis

  27. Grown Woman Shit: A Case for Magic Mike XXL as Cult Text – Amanda Ann Klein

  28. The Cut between Us: Digital Remix and the Expression of Self – Jennifer Ng

  29. The Professionalised Fandom of Careers in Cult: "Passionate Work" within Academia and Industry – Matt Hills

    30. PART VI: MUSIC AND SOUND

    Sound and Music in Cult Film

  30. Cult Musicals – Ethan de Seife

  31. Cult Soundtracks (Music) – James Wierzbicki

  32. Sounding Out Cult Cinema: The ‘Bad’, the ‘Weird’ and the ‘Old’ – Nessa Johnston

    33. PART VII: AESTHETICS AND INTERMEDIALITY

    Cult Film Aesthetics

  33. Inside an Actor's Scrapbook: Heath Ledger's Aesthetic Practice of Unbalancing– Jörg Sternagel

  34. Special Effects and the Cult Film: Cult Film Production and Analogue Nostalgia on the Digital Effects Pipeline – Leon Gurevitch

  35. Production Play: Sets, Props, and Costumes in Cult Films – Tamao Nakahara

  36. Cult Film and Adaptation – I.Q. Hunter

  37. Cult Film – Cult Television – Stacey Abbott

    38. PART VIII: AUTEURS

    Cult Auteurs

  38. "It’s a strange world": David Lynch – Jeffrey Andrew Weinstock

  39. "You guys always bring me the very best violence": Making the Case for Joss Whedon’s The Avengers and Serenity as Mainstream Cult – Erin Giannini

  40. Anti-Auteur: The Films of Roberta Findlay – Alexandra Heller-Nicholas

  41. Anna Biller – Jennifer O’Meara

  42. Alejandro Jodorowsky and El Topo – Antonio Lazaro-Reboll

    43. PART IX: ACTORS

    Cult Cinema Acting

  43. Judy Garland – Steven Cohan

  44. From the Other Side of the Wind: Dennis Hopper – Adrian Martin

  45. Barbara Steele – Nia Edwards-Behi

  46. Bruce Lee: Cult (Film) Icon– Paul Bowman

  47. All He Needs Is Love: The Cult of Klaus Kinski – Ian Cooper

  48. Crispin Glover – Sarah Thomas