Description
As a founder and leading figure in multimodality and social semiotics, Theo van Leuween has made significant contributions to a variety of research fields, including discourse analysis, sociolinguistics, communication and media studies, education, and design. In celebration of his illustrious research career, this volume brings together a group of leading and emerging scholars in these fields to review, explore and advance two central research agendas set out by van Leeuwen: the categorisation of the meaning potential of various semiotic resources and the examination of their uses in different forms of communication, and the critical analysis of the interaction between semiotic forms, norms and technology in discursive practices. Through 11 cutting-edge research papers and an experimental visual essay, the book investigates a broad range of semiotic resources including touch, sound, image, texture, and discursive practices such as community currency, fitness regime, film scoring, and commodity upcycling. The book showcases how social semiotics and multimodality can provide insights into the burning issues of the day, such as global neoliberalism, terrorism, consumerism, and immigration.
Table of Contents
1. Social Semiotics: A theorist and a theory in retrospect and prospect
Emilia Djonov and Sumin Zhao
2. Changing academic common sense: a personal recollection of collaborative work
Gunther Kress
3. "Strangers in Europe": A discourse-historical approach to the legitimation of immigration control 2015/16
Ruth Wodak
4. The limits of Semiotics – epistemology and the concept of ‘race’
Philip Bell
5. Can a sign reveal its meaning? On the question of interpretation and epistemic contexts
Staffan Selander
6. Towards a multimodal social semiotic agenda for touch
Carey Jewitt
7. Reading that which should not be signified: community currency in the UK
Annabelle Mooney
8. A sound semiotic investigation of how subjective experiences are signified in
Ex-Machina (2014)
Gilbert Gabriel
9. Unravelling the Myth of Multiple Endings and the narrative labyrinth in Mr. Nobody (2010)
Chiao-I Tseng
10. New codifications, new practices: the multimodal communication of CrossFit
Per Ledin and David Machin
11. The ‘Semiotics of Value’ in upcycling
Arlene Archer and Anders Björkvall
12. Multimodal Recontextualizations of Images in Violent Extremist Discourse
Kay L. O’Halloran, Sabine Tan, Peter Wignell, and Rebecca Lange
13. Revisiting the family silver: A visual essay on the grammar of visual design
Morten Boeriis
