- ホーム
- > 洋書
- > 英文書
- > Cinema / Film
基本説明
著者は広島大学総合科学部講師（映画学・演劇論）。
Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that these films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world.
Full Description
Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema.
According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and TheTerminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world.
www.atomicbombcinema.com
Contents
Introduction: Vexing questions and atomic bomb cinema
1:1895 to 1945: Prototypical bomb films
2:1945 to 1949: The initial elation after Hiroshima and Nagasaki
3:1950 to 1963: Part I: A complex growth industry
4:1950 to 1963: Part II: Cold war fantasies
5:1964 to 1979: Losing faith in social institutions
6:1980 to 1989: The Reagan era
7:1990 to 2001: The post-cold war years
8:1945 to 2001: Japan's atomic bomb cinema
Conclusion: Demonic cinema
Notes
Selected Bibliography
Filmography
Index
