デジタル時代の実験映画 Experimental Cinema in the Digital Age

デジタル時代の実験映画<br>Experimental Cinema in the Digital Age

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デジタル時代の実験映画
Experimental Cinema in the Digital Age

Le Grice, Malcolm

ウェブストア価格 ¥11,811（本体¥10,738）
British Film Inst（2001/10発売）
外貨定価 US$ 51.95
ポイント 107pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 484 p.
言語 ENG
商品コード 9780851708737
DDC分類 791.436

基本説明

They shed light on the work of other artists and film-makers and document a period, especially the 70s, when artists' film was at the centre of fierce and polemical debate about the nature of the avant-garde and the future of radical or experimental film.

Full Description

Michael Le Grice, a pioneer of 'structural film' in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.

Preface: The Colour of Time, Sean Cubitt
Note on Editing and Sources
Introduction
Part I. HISTORY
1. Thoughts on Recent 'Underground' Film [1972]
2. Presenting an Avant-Garde Film in London [1974]
3. The History We Need [1979]
Part II. ON OTHER ARTISTS
4. On Léger, Vertov and The Flicker Film [1977]
5. Kurt Kren [1975]
6. Some Introductory Thoughts on Gidal's Films and Theory [1979]
7. Takahiko Iimura - Getting the Measure of Time [1998]
Part III. DEBATES
8. Stan Brakhage and Malcolm Le Grice Debate, Stan Brakhage and Malcolm Le Grice [1978]
9. Letters from Gidal and Le Grice, Peter Gidal and Malcolm Le Grice [1978]
10. Narrative Illustion vs. Structural Realism, Malcolm Le Grice and P. Adams Sitney [1977]
Part IV. GENERAL THEORY
11. Real TIME/SPACE [1972]
12. Material, Materiality, Materialism [1978]
13. Problematising the Spectator's Placement in Film [1981]
14. Towards Temporal Economy [1980]
15. Cinemology [1982]
Part V. DIGITAL THEORY
16. Outline for a Theory of the Development of Television [1970]
17. Computer Film as Film Art [1974]
18. The Implication of Digital Systems for Experimental Film Theory [1994]
19. Kismet, Protagony and the Zap Splat Factor [1993]
20. The Chronos Project [1995]
21. Colour Abstraction - Painting - Film - Digital Media [1995]
22. Mapping in Multi-Space - Expanded Cinema to Virtuality [1996]
23. A Non-Linear Tradition - Experimental Film and Digital Camera [1997]
24. Art in the Land of Hydra-media [1998]
25. Digital Cinema and Experimental Film - Continuities and Discontinuities [1999]
Index