Description
This book examines youth cultural responses to the political, economic and socio-cultural changes that affected Britain in the aftermath of the Second World War. In particular, it considers the extent to which elements of youth culture and popular music served to contest the notion of ‘consensus’ that historians and social commentators have suggested served to frame British polity from the late 1940s into the 1970s. The collection argues that aspects of youth culture appear to have revealed notable fault-lines in and across British society and provided alternative perspectives and reactions to the presumptions of mainstream political and cultural opinion in the period. This, perhaps, was most acute in the period leading up to and after the seemingly pivotal moment of Margaret Thatcher’s election to prime minister in 1979.
This book was originally published as a special issue of Contemporary British History.
Table of Contents
1. Introduction: Youth Culture, Popular Music and the End of ‘Consensus’ in Post-War Britain Jon Garland, Keith Gildart, Anna Gough-Yates, Paul Hodkinson, Bill Osgerby, Lucy Robinson, John Street, Pete Webb and Matthew Worley 2. From ‘Dead End Streets’ to ‘Shangri Las’: Negotiating Social Class and Post-War Politics with Ray Davies and the Kinks Keith Gildart 3. ‘Bovver’ Books of the 1970s: Subcultures, Crisis and ‘Youth-Sploitation’ Novels Bill Osgerby 4. Shot By Both Sides: Punk, Politics and the End of ‘Consensus’ Matthew Worley 5. Reggae, Rasta and the Role of the Deejay in the Black British Experience William ‘Lez’ Henry 6. ‘A Shock to the System’: Feminist Interventions in Youth Subculture—The Adventures of Shocking Pink Anna Gough-Yates 7. Putting the Charity Back into Charity Singles: Charity Singles in Britain 1984 – 1995 Lucy Robinson
