Writing the Field Recording : Sound, Word, Environment

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Writing the Field Recording : Sound, Word, Environment

Benson, Stephen (EDT)/ Montgomery, Will (EDT)

ウェブストア価格 ¥27,104（本体¥24,640）
Edinburgh University Press（2018/04発売）
外貨定価 US$ 125.00
ポイント 246pt

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製本 Hardcover:ハードカバー版／ページ数 288 p.
言語 ENG
商品コード 9781474406697
DDC分類 809.93356 (W)

Full Description

Intervenes in contemporary debates about the relationship between literature and field recordingA field recording is any audio recording made outside of the studio. Such recordings have lately become important to contemporary musicians, sound artists and environmentalists. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Including seminal pieces on field thinking by John Berger and Lisa Robertson, 'Writing the Field Recording' analyses contemporary text scores, histories, composer statements, critical literature, poetry and nature writing in the context of sound studies. Drawing on expertise from a range of backgrounds, including composers, musicians, poets and critics, the collection presents an inter-disciplinary exploration of the various registers in which the field recording is written, such as the essayistic, the creatively exploratory, the experimental and the philosophical alongside critical reflections on artistic practice.Key FeaturesFocuses on sound in relation to poetry, poetics and nature / landscape writingIncludes contributions from published poets Lisa Robertson, Carol Watts and Jonathan SkinnerIncludes the classic essay, 'Field', by John BergerAccompanying sound recordings made accessible via the Resources tab on the Edinburgh University Press website

Editors' introductionPreface: Field, John Berger

Part I: Opening the Field1. Fields, theory, field theory: John Berger and Manfred Werder define a Field, Nicholas Melia2. The Nondescript, Stephen Benson3. Text-Score-Text, Will Montgomery

Part II: The Poetics of the Field4. Rubies Reddened by Rubies Reddening, Michael Pisaro5. Pitch Of Inhabiting: Thoughts on the Practice of Sound, Poetry and Virno's 'Accustomed Place', Carol Watts6. Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives, Dominic Lash7. Field Recording as Writing: John Berger, Peter Gizzi and Juliana Spahr, Redell Olsen

Part III: The Field in Practice8. Bittern Space, a siskin, Patrick Farmer9. Disquiet, Lisa Robertson10. Hedges, Daniela Cascella11. Stirrup Notes: Fragments on Listening, Jonathan Skinner.