Offers a corrective to existing historiography on the Caribbean, focusing on developments in Afro-Cuban religious culture to demonstrate that traditional Caribbean cultural practices are steeped in the same history that produced modernity and represent complex hybrid formations.
In Wizards and Scientists Stephan Palmie offers a corrective to the existing historiography on the Caribbean. Focusing on developments in Afro-Cuban religious culture, he demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmie argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.Highlighting the ways that Afro-Cuban discourses serve as a means of moral analysis of social action, Palmie suggests that the supposedly irrational premises of Afro-Cuban religious traditions not only rival Western rationality in analytical acumen but are integrally linked to rationality itself. Afro-Cuban religion is as "modern" as nuclear thermodynamics, he claims, just as the Caribbean might be regarded as one of the world's first truly "modern" locales: based on the appropriation and destruction of human bodies for profit, its plantation export economy anticipated the industrial revolution in the metropolis by more than a century. Working to prove that modernity is not just an aspect of the West, Palmie focuses on those whose physical abuse and intellectual denigration were the price paid for modernity's achievement. All cultures influenced by the transcontinental Atlantic economy share a legacy of slave commerce. Nevertheless, local forms of moral imagination have developed distinctive yet interrelated responses to this violent past and the contradiction-ridden postcolonial present that can be analyzed as forms of historical and social analysis in their own right.
Table of Contents
Prologue: Evidence and Presence, Spectral and 1 (38)
Introduction 39 (40)
``For Reasons of History'': Jose Antonio 79 (80)
Aponte and His Libro de Pinturas
Genealogies of Morality: The Afro-Cuban 159(42)
Nganga as Wage Laborer, Slave, and Maroon
Una Salacion Cientifica: The Work of 201(59)
Witchcraft and Science in Cuban Modernity
Epilogue: Carnal Knowledge 260(30)
Appendix: Aponte's Library 290(5)