英米文学におけるユダヤ商人とモダニズムの発展1863-1939年<br>The Merchant of Modernism : The Economic Jew in Anglo-American Literature, 1864-1939 (Literary Criticism and Cultural Theory)

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英米文学におけるユダヤ商人とモダニズムの発展1863-1939年
The Merchant of Modernism : The Economic Jew in Anglo-American Literature, 1864-1939 (Literary Criticism and Cultural Theory)

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  • 製本 Hardcover:ハードカバー版/ページ数 212 p.
  • 言語 ENG,ENG
  • 商品コード 9780415941099
  • DDC分類 823.80903924

基本説明

Examines how the figure of the economic Jew symbolizes the struggle of authors from Dickens to Pound to reconcile their critique of capitalism with their own literary practices; this shifting figure parallels the development of literary Modernism.

Full Description


First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Table of Contents

Acknowledgments                                    vii
Introduction 1 (14)
Our Mutual Creditor: Speculation, 15 (22)
Representation, and the Jew in Charles
Dickens' Our Mutual Friend and Anthony
Trollope's The Way We Live Now
``Made Viciously Cosmopolitan'': From Realism 37 (16)
to Romance in George Eliot's Daniel Deronda
Transactions without Risk: Race, Art, and 53 (14)
Commerce in Edith Wharton's The House of
Mirth and The Custom of the Country
Populist Naturalism: The ``Natural'' Markets 67 (14)
and ``Unnatural'' Jews of Frank Norris,
Theodore Dreiser, and Mark Twain
The Merchant of Modernism: The Author as Jew 81 (14)
in Henry James's The Golden Bowl and The
American Scene
``In Two Worlds at Once'': Talmud, Cultural 95 (14)
Capital, and Identity in Abraham Cahan's The
Rise of David Levinsky
``A Single Window'': First Person Narrators 109(22)
and Consuming Jews in F. Scott Fitzgerald's
The Great Gatsby, Ernest Hemingway's The Sun
Also Rises, and Willa Cather's The
Professor's House
Modernism Squats on My Windowsill: Rats, 131(14)
Jews, and Markets in T.S. Eliot's Ara Vos
Prec, D.H. Lawrence's Women in Love, and
Wyndham Lewis's The Apes of God
Modernism Squats on My Windowsill, Part II: 145(18)
Markets of Meaning in Ezra Pound's Cantos,
Gertrude Stein's Tender Buttons, and Virginia
Woolf's Mrs. Dalloway
``Both Sides of the Question'': Polyphony, 163(24)
Mixed Economies, and the Jewish Question in
James Joyce's Ulysses
Notes 187(6)
Bibliography 193(12)
Index 205