基本説明
Developing concepts of the sacred from Bataille, the post-Surreal College of Sociology, Canetti, Marx, Hobbes and Walter Benjamin, Taussig creater his own whirlwind theatre of spirit-possession.
Full Description
Set in the enchanted mountain of a spirit-queen presiding over an unnamed, postcolonial country, this ethnographic work of ficto-criticism recreates in written form the shrines by which the dead--notably the fetishized forms of Europe's Others, Indians and Blacks--generate the magical powers of the modern state.
Contents
Part 1 The Spirit Queen's Court; Chapter 1 The Spirit Queen; Chapter 2 The Mountain; Chapter 3 The Shrines; Chapter 4 Waiting for Ofelia; Chapter 5 Billy the Kid and the Break-Through Economy; Chapter 6 Holy Torpor; Chapter 7 Mimesis Unto Death; Chapter 8 Spiritual Treachery; Part 2 The liberator's Court; Chapter 9 The Infinite Melancholy; Chapter 10 Mucoid Ignominy State-Making as Spirit Possession; Chapter 11 Kitsch is Where Fear Locks with the Mute Absurd; Chapter 12 The Accursed Share; Chapter 13 Money and Spirit Possession in Karl Marx; Chapter 14 Art Adrift in the Passing Crowd Floating Wave-Like on a Freeway; Chapter 15 Faith in Marble; Part 3 The Theater of Divine Justice; Chapter 16 Adventures in Musculature Taximetry and Dada Cinema; Chapter 17 Stealing the Sword; Chapter 18 Pilgrimage as Method;