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Full Description
This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.
Contents
Contents
Preface
Introduction: Cinepaternity: The Psyche and Its Heritage
Part 1. Thaw, Stagnation, Perestroika
1. The Myth of the "Great Family" in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev / Alexander Prokhorov
2. Mending the Rupture: The War Trope and the Return of the Imperial Father in 1970s Cinema / Elena Prokhorova
3. Models of Male Kinship in Perestroika Cinema / Seth Graham
Part 2. War in the Post-Soviet Dialogue with Paternity
4. The Fathers' War through the Sons' Lens / Tatiana Smorodinskaya
5. War as the Family Value: Failing Fathers and Monstrous Sons in My Stepbrother Frankenstein / Mark Lipovetsky
6. A Surplus of Surrogates: Mashkov's Fathers / Helena Goscilo
Part 3. Reconceiving Filial Bonds
7. Resurrected Fathers and Resuscitated Sons: Homosocial Fantasies in The Return and Koktebel / Yana Hashamova
8. The Forces of Kinship: Timur Bekmambetov's Night Watch Cinematic Trilogy / Vlad Strukov
9. Fathers, Sons, and Brothers: Redeeming Patriarchal Authority in The Brigade / Brian James Baer
Part 4. Auteurs and the Psychological/Philosophical
10. Fraught Filiation: Andrei Tarkovsky's Transformations of Personal Trauma / Helena Goscilo
11. Vision and Blindness in Sokurov's Father and Son / José Alaniz
Contributors
Index



