国母たち:イングランド女性の政治的著作1780-1830年<br>Mothers of the Nation : Women's Political Writing in England, 1780–1830

個数:

国母たち:イングランド女性の政治的著作1780-1830年
Mothers of the Nation : Women's Political Writing in England, 1780–1830

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。
  • 【重要:入荷遅延について】
    ウクライナ情勢悪化・新型コロナウィルス感染拡大により、洋書・洋古書の入荷が不安定になっています。詳しくはこちらをご確認ください。
    海外からのお取り寄せの場合、弊社サイト内で表示している標準的な納期よりもお届けまでに日数がかかる見込みでございます。
    申し訳ございませんが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 192 p.
  • 言語 ENG
  • 商品コード 9780253213693
  • DDC分類 820.99287

基本説明

New in paperback. Hardcover was published in 2000. Demonstrates the many ways in which women influenced British public policy and cultural behavior and shows how they promoted and a new concept of the ideal woman as rationally educated, sexually self-disciplined, and virtuous.

Full Description

British women writers were enormously influential in the creation of public opinion and political ideology during the years from 1780 to 1830. Anne Mellor demonstrates the many ways in which they attempted to shape British public policy and cultural behavior in the areas of religious and governmental reform, education, philanthropy, and patterns of consumption. She argues that the theoretical paradigm of the "doctrine of the separate spheres"may no longer be valid. According to this view, British society was divided into distinctly differentiated and gendered spheres of public versus private activities in the 18th and 19th centuries,

Surveying all the genres of literature—drama, poetry, fiction, non-fiction prose, and literary criticism—Mellor shows how women writers promoted a new concept of the ideal woman as rationally educated, sexually self-disciplined, and above all, virtuous. This New Woman, these writers said, was better suited to govern the nation than were its current fiscally irresponsible, lecherous, and corruptible male rulers.

Beginning with Hannah More, Mellor argues that women writers too often dismissed as conservative or retrogressive instead promoted a revolution in cultural mores or manners. She discusses writers as diverse as Elizabeth Inchbald, Hannah Cowley, and Joanna Baillie; as Charlotte Smith, Anna Barbauld, and Lucy Aikin; as Mary Wollstonecraft, Charlotte Reeve, and Anna Seward; and concludes with extended analyses of Charlotte Smith's Desmond and Jane Austen's Persuasion. She thus documents women writers' full participation in that very discursive public sphere which Habermas so famously restricted to men of property. Moreover, the new career of philanthropy defined by Hannah More provided a practical means by which women of all classes could actively construct a new British civil society, and thus become the mothers not only of individual households but of the nation as a whole.

Contents

Contents

Acknowledgments
Introduction: Women and the Public Sphere in England, 1780-1830
1. Hannah More, Revolutionary Reformer
2. Theatre as the School of Virtue
3. Women's Political Poetry
4. Literary Criticism, Cultural Authority, and The Rise of the Novel
5. The Politics of Fiction
Desmond
Persuasion
Postscript: The Politics of Modernity

Notes
Works Cited
Index