Full Description
Sounds Beyond charts the origins of Arvo Pärt's most famous music, which was created in dialogue with underground creative circles in the USSR.
In Sounds Beyond, Kevin C. Karnes studies the interconnected alternative music and art scenes in the USSR during the second half of the 1970s, revealing the audacious origins of some of Estonian composer Arvo Pärt's most famous music. Karnes shows how Pärt's work was created within a vital yet forgotten culture of collective experimentation, the Soviet underground.
Mining archives and oral history from across the former USSR, Sounds Beyond carefully situates modes of creative experimentation within their late socialist contexts. In documenting Pärt's work, Karnes reveals the rich creative culture that thrived covertly in the USSR and the network of figures that made underground performances possible: students, audio engineers, sympathetic administrators, star performers, and aspiring DJs. Sounds Beyond advances a new understanding of Pärt's music as an expression of the aesthetic and religious commitments shared, nurtured, and celebrated by many in Soviet underground circles. At the same time, this story attests to the lasting power of Pärt's music. Dislodging the mythology of the solitary creative genius, Karnes shows that Pärt's work would be impossible without community.
Contents
Note on Translations, Transliteration, and Pronunciation
Note on Recordings
List of Musical Examples and Figures
1. Spaces Beyond: An Introduction
2. A Beginning: The Riga Polytechnic Disco, 1974-76
3. Tintinnabuli and the Sacred
4. Ritual Moments: The RPI Festivals, 1976-77
5. Tallinn 1978
6. Aftersounds: Bolderāja, Sergiyev Posad, and a Train to Brest-Litovsk
Acknowledgments
Appendix: Key Premieres and Early Performances of Pärt's Tintinnabuli-Style Works, 1976-78
Notes
Sources
Index
